When it comes to generating conflict, your character’s personality can help ensure that sparks fly, especially when their traits clash with someone else’s.

When people grate on one another their interactions become filled with misunderstandings, power struggles, one-upmanship, and impatience. Whether allies, enemies, or something in between, contrasting viewpoints and attitudes sharpen dialogue, and if tempers flare too far, friction can become all-out conflict.

And guess what–we want these escalations to happen! They keep relationships from getting stale, add plot complications, and keep the pace moving. So bring on those clashes, problems, and fallout, I say. Let characters get under each other’s skin. When people get along, it sucks the tension out of your story faster than a three hundred year old vampire enjoying a human buffet.

There are many ways to create friction– characters could have opposing goals, be competing for the same thing, or have opposite ideas about the path forward. These setups can all work, but only if they don’t come off like a plot device. For readers to see friction as natural, not manufactured, it needs to come from within the characters. An easy way to do this is to let their opposing personalities do the work.

Leaning into Opposites

The low-hanging fruit of clashing personalities is to play with opposites. Methodical and impulsive. Proper and flamboyant. Perfectionistic and lazy. These combinations can be fun to write while juicing interactions with friction. To find trait combos that will cause natural friction, check out these lists from the Positive Trait Thesaurus and the Negative Trait Thesaurus.

Is your character an obsessive rule follower afraid to step outside his comfort zone? Have him be swept up in friendship with someone spontaneous and a bit rebellious. Or is a coworker stealing the credit for your protagonist’s hard work, but she won’t speak up for herself? Pair her with a new cubicle-mate who has confidence in spades and a vengeful streak that ensures all wrongs will be put right.

Opposite traits can be negative, positive, or one of each. It’s all up to you. And, with a bit of extra thought, opposing traits can serve an even deeper purpose: to spotlight a character flaw that’s holding your protagonist back.

Introduce a Character Foil

A character foil is someone whose traits contrast with the protagonist’s, either in big, obvious ways or through a few key differences. This contrast helps readers see how the protagonist is navigating life differently, and maybe it’s not going so well for them.

When a foil character exhibits traits the protagonist lacks (but needs), it creates a mirror moment. The protagonist starts to see their flaws more clearly, and that realization can become a turning point in their character arc. If they want to move forward, something has to change.

Double Down on the Same Trait

Another method is to give two characters the same trait: controlling and controlling, manipulative and manipulative, idealistic x 2. Positive or toxic, characters with identical traits tend to cause the relationship pot to boil, and soon, the battle royale for dominance is on.

Clashing Traits Don’t Always Mean Fireworks

Sometimes writers get a bit too excited over creating relationship tension, as it can lead to some spectacular clashes. Realistically, though, friction is more about getting under each other’s skin just enough to behave like a passive-aggressive jerk.

When irritated, characters may get snarky in their responses, offer backhanded compliments, or deliver a narrow, you’re so stupid stare. Decisions in the moment can be emotion-driven, too. Maybe they withhold advice, information, help or even share a half-truth, knowing it will mess up the other’s plans. My point is, have fun with your friction, especially if it leads to well-deserved consequences!

Also, Friction Isn’t Always Negative

Not all friction is hostile. It can come from navigating healthy boundaries that characters aren’t used to. It can be a part of the learning curve of new cultures and customs. Even people who want the same thing must figure out how to work together, encountering friction through trial and error.

In romance, attraction creates tension. And much of what makes chemistry sizzle on the page is emotional friction—conflicting desires, fears, and how each handles vulnerability.

Friction happens in friendships, family dynamics, the workplace, and other relationships. Whenever two people are wired differently, there’s an opportunity for tension. Unravelling the ‘why’ behind it is what readers show up for.

Choose a Character’s Personality Traits Carefully

While it might seem like a fun way to add drama, clashing traits shouldn’t be assigned without thought. Each character’s personality is a unique window into who they are, where they came from, and the people and experiences they were exposed to before your story began. Credible characters have traits that make sense for their unique history–that’s a big part of what makes them authentic to readers.

If you’d like to understand more about personality traits and how to choose the right ones for a character, give this a read. Happy writing!

What clashing personality traits have you woven into your relationships? Let me know in the comments!

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post Using a Character’s Personality Traits to Generate Conflict appeared first on WRITERS HELPING WRITERS®.

Writers hear it all the time: Show, don’t tell. This advice is so iconic that I wouldn’t be surprised if a few tattoos are kicking around the community. After all, our job as writers isn’t to explain what’s happening to readers, it’s to help them experience the story themselves. And show, don’t tell is how we do it!

Showing Creates an Experience.
Telling Hands Out Information.

Imagine your story as a culinary masterpiece and your reader a dinner guest. Sure, you could slap a plate down and say, “It’s lasagna, enjoy,” or you could slide the steaming dish in front of them and let those saucy layers, bubbling cheese, and heavenly aroma rev them up for the first bite.

Telling has its place -and for more on that, zip over here- but showing engages readers. It will bring them in close, make them feel involved, and awaken their emotions and memories.

One problem with show, don’t tell?

Somewhere along the way, it became so integrated with character emotion that writers didn’t necessarily think to use it for other things.

To be clear, showing emotion is great advice! I’m sure you’ve attended workshops and been told not to say your character is sad—instead, describe them standing at their school locker, clutching a break-up note, blinking fast and swallowing hard. If you’ve read The Emotion Thesaurus: A Writer’s Guide to Character Expression, you know Becca and I preach loud and proud about showing emotion. But it has so many other applications, so let’s recap a few.

Showing Can Anchor Readers in the Setting

When it comes to worldbuilding, readers should be able to imagine the character’s world and feel part of each scene.

Telling: The castle was massive, with stone walls and high towers.

Showing: The castle loomed over the village, its stone walls etched with centuries of wind and war. Torchlight flickered along the high towers, where banners snapped against the night sky.

Telling works for delivering details that aren’t important, but showing can draw a reader in, help them imagine what they reader, convey the history or importance of a location, and more.

Showing Can Set the Mood

Part of creating an experience is steering how readers should feel. The details we share, especially sensory description, can nudge them to view a setting a certain way—safe, dangerous, calming, worrying. It’s up to us.  

Telling: The alley was dark and scary.

Showing: The alley narrowed, its brick walls leaning inward, swallowing the last flickers of streetlight. Garbage bags sagged against dented cans, the air thick with something damp and rotting.

Here, telling is factual, but showing creates foreboding. Only one will push readers to eagerly read on to see what sort of bad thing is waiting in the dark.

Showing Can Define a Relationship Without Labels

Characters shouldn’t have to say they’re best friends, mortal enemies, or hopelessly in love. Their actions should make that obvious.

Telling: Jake and Connor had been best friends for years.

Showing: Jake barely knocked before pushing open Connor’s door. “Bro, I got a problem with someone and need backup.”
Connor shut his textbook. “Let’s go. I’m driving.”

Best friends? Yup! Telling would work if this friendship wasn’t relevant, but if it is, we need to see that closeness in action. Showing does that, pulling the reader along for the ride.

Showing Can Reveal Character Motivation

Characters need to have agency, doing and saying things for a reason. But if we just tell readers what’s driving them, it falls flat.

Telling: Olivia wanted to prove she was just as capable as her older brother.

Showing: Olivia tightened the laces on her running shoes. She could still hear her brother’s voice from last night: “You won’t last a mile.” Gritting her teeth, she stepped onto the track. She’d make it ten.

A character’s motivation is more likely to land with readers if they empathize with their reasons. Showing here utilizes a common human experience—a lack of support and voiced doubt—and places readers in Olivia’s corner. They want her to succeed.

Showing Helps Deepen Conflict and Stakes

If the stakes matter, readers should feel it.

Telling: If Sam lost, he’d have to leave town for good.

Showing: Sam rolled his poker chip across the felt. One hand. One chance.

Across the table, Mason smirked. “Don’t worry, I’ll pass on your goodbyes to everyone at the wedding tomorrow.”

Here, telling readers what’s at stake is equivalent to a sad trombone (womp-womp). Showing makes readers care about Sam and invest in what happens next.

Showing Can Showcase Characterization

Each character will have their own personality, talents, beliefs, tendencies, quirks, etc. How you convey who they are can mean the difference between a cardboard character and someone so authentic it feels like they stepped out of the real world.

Telling: Jonas was a germaphobe.

Showing: Jonas pinched the edge of his plate, avoiding contact. Across the table, a man sneezed into his palm, then grabbed the breadbasket. Jonas stiffened. Bacteria—everywhere. He chewed fast, breathed shallowly. The sooner he finished, the sooner he could scrub this place off his skin.

When we show it, Jonas’ fear feels authentic. Readers can surmise how this phobia will shape his life in the story.

Look for Opportunities to Make Your Story Immersive!

Showing can vastly improve a story, but crafting the right descriptions is not easy. This is why it can be so tempting to slip into telling. It’s worth the worth, though, when the situation in the story warrants showing.

It comes down to knowing what to show, and what to tell. Readers never need to know every little thing about the story and your characters, but they know the important stuff that helps them follow the story, care about the characters, and feel invested in the outcome.

Focus on what’s important, what readers need to know, and what makes them care the most. If you need help finding telling that you suspect needs to be converted to showing, try 7 Ways to Find Telling in Your Writing.

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post How to Use Show, Don’t Tell to Strengthen Your Story appeared first on WRITERS HELPING WRITERS®.

Facts are facts: writers throw a lot of rocks at characters. Enemies. Obstacles. Maybe a rabid zombie or two. And we aren’t nice about it, spacing out each projectile, no. We like to line up our canons and see just how many hits a character can take…all in the name of character arc growth.

Whether it’s marriage problems, a car breakdown, or a killer taunting our character by choosing victims they know, at a certain point, our character is going to blow up. And when they do, they’ll set aside rational thought and act. Luckily for us, this almost always turns out bad for them, but good for the story because poor judgment, rash decisions, and risks usually generate conflict.

When characters become volatile, it doesn’t matter if they have a good reason or not, only the mistakes and missteps that often follow. But what does ‘acting on emotion’ look like—is it all road rage and smashed windows? Heck no!

What a Loss of Control Can Look Like

Impaired Decision-Making

When someone is emotionally activated, they aren’t thinking clearly. Feelings are so close to the surface they can crowd out everything else. In this state, your character may. . .

• Fail to apply common sense
• Jump to conclusions
• Think irrationally
• Adopt an all-or-nothing mindset
• Be swayed by personal bias
• Refuse to compromise

It never bodes well when a character acts without thinking. All the above can lead to a delicious stew of misjudgments, poor decisions, risk-taking, and mistakes. Hello, conflict!

Damaged Relationships

If a character’s emotions are elevated, whatever is causing them to be upset is their focus, not the people around them. Even though they may not intend to hurt anyone, they may do so anyway, especially if your character . . .

• Shuts loved ones out
• Lashes out in frustration
• Questioning someone’s motives or loyalty
• Spurns an offer of help
• Makes a false accusation
• Says something hurtful or rude

Things said and done in the heat of the moment usually end with regret as the fallout and misunderstandings will take time to undo. Most likely the character will feel bad for anything unfair said or done, but they will need to take accountability and make amends to undo the damage.

Questioning Themselves

Sometimes a small burden comes along that is small on its own but becomes the ‘one thing too much’ when added to everything else. The feeling of being undone by something small can cause self-destructive thoughts and a crisis of faith in themselves. This might be shown through. . .

• Feeling less than
• Heightened vulnerability
• Becoming self-critical
• Tearing themselves down to others
• Making self-destructive choices as punishment
• Giving up

Characters who break under an additional strain that on its own they could handle will have a hard time moving past it because they will be left feeling like they’ve let themselves and everyone else down. They will need to regain perspective and see the entire load they carried, not just the one thing that broke them.   

Compromised Values

When a character experiences a heightened state of emotion, they may do things they never thought they would do. Maybe others are pressuring them and they give in, or an emotion like frustration, desire, or anger has taken over. In any case, this might cause them to . . .

•  Cross a moral line
•  Break the law
•  Act on their biases
•  Give in to violence
•  Do what’s easy, not what’s right

Of all the messes that can result from losing control, a character going against their morals or beliefs will be the most difficult thing for them to reconcile, especially if others are hurt by their actions. A person’s beliefs are tied to their identity, so crossing a line may lead to an identity crisis over who they truly are. Depending on what they’ve done, it may be very hard for the character to live with the consequences.

Reputational Damage

In many situations, when a character loses control of their emotions, they aren’t alone, so what they say and do is on display. This includes when they . . .

• Spout flawed logic
• Lose their temper
• Forget their filter
• Break under pressure
• Make mistakes

People tend to judge others for their loss of control, meaning many of the people around your character will think less of them, even if they say otherwise. To repair damage to their reputation the character will have to exhibit strong emotional control moving forward. If they do, others will be more likely to view the past lapse as a one-time thing, not a pattern.   

Making Things Worse

When emotions run high, the character acts without considering the consequences. They may . . .

• Take risks
• Act rashly
• Forego logic
• Fail to spot a danger or mistake
• Endanger others

If a character is too blinded by their need to ‘do something’ to care about anything else, people get hurt, mistakes are made, and complications arise. In the aftermath, the character realizes they only have themselves to blame, and now they need to fix whatever they broke. Mistakes are also lesson, however, and to avoid making this one again, the character will be motivated to manage their emotions better in the future.  

Characters are unique. Some will be more in control of their emotions than others.

But make no mistake, all characters have a tipping point where they lose control. One strategy to help this along is to deploy an emotion amplifier–a state or condition that will activate your character’s emotions and push them toward volatility. Pain, Confinement, Hunger, Competition, Attraction, Scrutiny…these and other amplifiers can weaken or strain a character’s ability to self-regulate their emotions.  

Try this list of emotion amplifiers to brainstorm ways to mess with your character’s control and bring their hidden emotion out into the open. For more on the benefits of emotion amplifiers, check out our companion to The Emotion Thesaurus: The Emotion Amplifier Thesaurus: A Writer’s Guide to Character Stress and Volatility.  

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post How to Show Emotional Volatility appeared first on WRITERS HELPING WRITERS®.

Has an editor or critique partner said, “Your character is flat” when offering feedback on your story? Or perhaps they worded it another way: “Your protagonist didn’t grab me,” or “This character needs more depth.”

However it’s phrased, being told we’ve missed the mark on a character is a bit of a gut punch. But it’s okay. Flat characters, like anything else, can be fixed.  

A flat character is one-dimensional, lacking the depth and human complexity required to feel true to life. Not only do they seem unrealistic, they also fail to capture a reader’s curiosity or interest.

Flat characters can be written as such on purpose: a surly shopkeeper unwilling to bargain on price or the nosy neighbor trying to unearth your protagonist’s secrets. These types of characters have a small role or specific function (comic relief, mentorship, etc.) and don’t need a lot of depth.

But if an important character is seen as
shallow or boring…we have a big problem.

Characters are the heart of a story. For readers to care about them, they must feel like real people. Distinct personalities, belief systems, emotions, and histories shape them and their behavior. Personal needs, desires, struggles, and worldviews give them depth. All this, and a capacity for growth, is the magic recipe that will draw a reader in. 

What Causes a Flat Character?

Characters can feel underdeveloped for many reasons, but it often comes down to one thing: something essential about them has been overlooked. Some common offenders:

Shallow Backstory

A character’s past influences who they become, how they behave, and how they view the world around them. If a character’s backstory is missing, weak, or generic, their behavior may lack credibility or be inconsistent.

The Cure: Go deeper. Explore their past, including their emotional wounds, experiences, life lessons, fears, and insecurities.

Tools to Fix Backstory Issues: The Emotional Wound Thesaurus and One Stop for Writers’ Character Builder Tool.

A Too-Basic Personality

A character’s personality should contain specific traits that emerge because of their history/upbringing, the people who influenced them, and formative their life experiences, both good and bad. When writers gloss over the building out of a unique personality, they tend to give character ‘typical’ traits and so they come across as generic and unrealistic.

The Cure: People are complex, and characters will be, too. Spend time thinking about who your character is and why, and the traits most likely to appear in their personality. Be sure to also understand how negative experiences lead to personality flaws (and the behaviors and tendencies that go with them). Each character should have a mix of traits as no one is ever all good or bad.  

Tools to Fix Personality Issues: The Positive Trait Thesaurus, The Negative Trait Thesaurus, and One Stop for Writers’ Character Builder Tool.

Over-Reliance on Character Tropes or Stereotypes

Due to their familiarity, using character tropes (e.g., the villain, reluctant hero, or absent-minded friend) can fast-track the reader’s understanding of a character’s role. But leaning on one too hard turns them into a stereotype or cliché, which is a huge turnoff.

The Cure: Use any trope generalizations as a starting point only. Do the work and make each character someone fresh. Readers loved to be surprised by interesting and meaningful qualities that elevate the character in ways they didn’t expect.

Tools to Help Fix Overused Character Types: The Character Trope and Type Thesaurus or One Stop for Writers’ Character Builder Tool.

Tunnel Vision

Characters who are only about one thing—the mission or goal, proving loyalty, success, etc.—come across as one-dimensional and unrealistic. For readers to connect with characters, they need to have relatable life layers. Relationships and social interactions. Dreams and desires. Responsibilities. Quirks, interests, problems.

The Cure: Real people can get obsessive about certain things, but they have other things going on. To give your character a better balance, imagine their entire life, not just the plot of your story. Explore how your character’s professional life or obsessions may collide with their personal life.

Tools to Help You Create Dynamic Characters: One Stop for Writers’ Character Builder Tool and The Occupation Thesaurus.

A Lack of Drive

In the real world, it can take time for us to know what we want, but in fiction, characters must be motivated and act. If your protagonist is wishy-washy about what they want or can’t settle on a goal, they’ll come off as weak.

The Cure: Characters who lack urgency when it comes to choosing or achieving a goal need to be put in the hot seat. Raise the stakes. Add conflict and tension. Make it clear that doing nothing leads only to pain and consequences. Additionally, know your character inside and out (#1) because past trauma, fears, and negative interactions will point you to their soft spots and unmet needs.

Tools to Fix Unmotivated Characters: The Emotional Wound Thesaurus, The Conflict Thesaurus Volume 1, Volume 2, and The Emotion Amplifier Thesaurus.

Distanced Emotions

Showing a character’s emotion, even when they’re trying to hide what they feel, is one of the most important tasks a writer has. Emotions are central to the human experience, and readers expect a front-row seat to whatever the character is feeling. When someone is closed off or seems imperviable to vulnerability, readers find it unrealistic.

The Cure: Become an expert at showing your character’s emotions, even when they try to hide what they feel from others. Readers must always be in the loop to empathize and feel invested. Understand how each individual will express emotion in their own way based on their personality, comfort zone, and backstory.

Tools to Help You Show Authentic Character Emotion: The Emotion Thesaurus, The Emotion Amplifier Thesaurus, and The Emotional Wound Thesaurus.

Inadequate Internal Conflict

A well-developed character should have inner struggles, doubts, conflicting needs, fears, and insecurities, all of which make certain actions and decisions agonizing for them. If a writer doesn’t know a character well enough, their struggles will seem generic and readers will feel disconnected from their struggles.

The Cure: Understand your character inside and out, especially backstory and unresolved wounds that haunt them (#1). Know their life, their stresses, their pain, and how loyalty, expectations, or beliefs may tear at them so you can show powerful, meaningful inner conflict. Use psychology in fiction to show inner turmoil in ways readers recognize as they’ve experienced the same tendencies themselves.  

Tools to Help You Show Internal Conflict and Psychological Processes: The Emotional Wound Thesaurus, The Conflict Thesaurus, Volume 1, and The Emotion Amplifier Thesaurus.

Little to No Growth or Change  

In any story, characters will face challenges—often life-changing ones. Even in a flat arc, where the protagonist remains steadfast in their beliefs, they should still learn, adapt, and navigate obstacles in a way that feels authentic. Primary characters who respond to every problem the same way, repeat mistakes without growth, or remain rigid in their viewpoints can feel unrealistic and unconvincing to readers.

The Cure: All roads lead back to characterization. Go deeper. Get to know your character, and why they think, act, and behave as they do. Choose specific conflict scenarios that force them to confront misconceptions and fears that lead to change and growth.

Tools to Help You Write About Change and Growth: For growth journeys and the path of change, try The Emotional Wound Thesaurus. The Conflict Thesaurus Volumes 1 and Volume 2 are packed with help to craft powerful conflict that will strengthen and support character arc. The Character Builder Tool will take all your character-building information and create a character arc blueprint for you.

You can fix a flat character. It’s worth the effort because once readers bind themselves emotionally to a character, they’re hooked. If you’re lucky, they’ll enjoy your characters so much they’ll seek out your next book, too!

READ NEXT: How to Write a Protagonist with True Depth

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post How to Avoid Flat Characters in Your Story appeared first on WRITERS HELPING WRITERS®.

With Valentine’s Day around the corner, Becca and I want to ensure you have a bigger budget for any I-Love-You gifts, so for the next two weeks, you can snag a One Stop for Writers subscription at 25% off with the code VALENTINE25.

We love helping writers bring their strongest, most immersive fiction to the page. One Stop for Writers offers the best of our descriptive thesauruses, guidance, tips, and tools.

What Will You Find at One Stop for Writers?

CHARACTER BUILDER
CHARACTER ARC BLUEPRINT
TIMELINE TOOL
STORY & SCENE MAPS
WORLDBUILDING SURVEYS
IDEA GENERATOR
WORKSHEETS & TEMPLATES
THE STORYTELLER’S ROADMAP
SHOW-DON’T-TELL THESAURUS DATABASE
& MORE

Make your description shine in every scene by using our 18 signature descriptive thesaurus lists:

Save 25% Off All Plans

If it would help you to have a powerful story support tool helping you plan, write, and revise, sign up & become part of the One Stop family. Don’t forget to use this code to save 25%:

VALENTINE25

To redeem this 25% discount:

1. Sign up or Sign in
2. Go to Account >> My Subscription and choose your plan
3. Add & activate the VALENTINE25 code in the box provided. (You’ll see this one-time discount apply onscreen.)
4. Enter your payment details, click the terms box, & hit subscribe!

Already a subscriber? Just add/activate this code on the My Subscription page and it will apply the discount to your next invoice. Woot!

Sale ends Feb 20th, 2025.

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post Be Our Valentine: Save 25% at One Stop for Writers® appeared first on WRITERS HELPING WRITERS®.

The rise of AI-generated books is sparking concern among many. We all know the book market is huge, yet the speed at which new works are being added prompted Amazon to place a ‘3 books per day’ upload limit. I think we all agree that’s more than a little worrying.

It’s frustrating, too. Vying for a reader’s attention has always been challenging, but this new competition has some authors fearing it will soon become too hard (and expensive) to grab the reader’s attention. Dread rises in the form of a question: in this widening sea of books, what are my chances of being found and read?

It’s easy to give over to anger and depression when things change, especially when it feels unfair and unjust. But as authors have always done, we must use our emotions to fuel transformation.

The board has changed. It’s time to change with it.

We’ve weathered disruptions in the book industry before, and while AI is reshaping all industries, as people, one of our biggest strengths is our ability to adapt. Marketing will become more challenging for authors, but we can use our human edge to come out on top. It’s time for us to push ourselves and leverage our strengths, showing readers we have much more to offer them than machines.

Let’s talk about how we do it.

1. Write an amazing book.

Seems sort of obvious, right? Sure, but the real message here is that AI books will only get better in time, so we must continue widening the gap. Readers will have many choices on what to read so our books should be exceptional. To date, many authors have focused on volume to make a living, but moving forward, writing better books will become as important (if not more).

Amazing books in the age of AI should contain something else, too: emotion, insight, and depth rooted in human experience. This is something that machines can’t replicate (although they will try). As humans, we understand how isolating life can be when we experience certain things that stir deep emotions, struggles, insecurities, and vulnerabilities. Who better than us to create authentic characters that our readers can truly relate to and connect with? (Read: How to Leverage Humanity in Stories to Outshine AI.)

2. Embrace authenticity, building trust and connection.

AI isn’t only impacting the book industry–it’s everywhere, with readers being as exposed to it as us. AI curates searches at Google, chatbots claim the bottom right corner of every website. Meta AI bots piss everyone off with their uncanny ability to ignore hate speech but flag that cute picture of someone’s cat as harmful and inappropriate.

Fake social profiles. AI-generated images everywhere.
Every third ad is a new AI tool or service.

It’s the gold rush of AI, but guess what follows? Saturation. People get sick of all things manufactured, simulated, and fake. It’s early still, but a looming saturation is coming. Authors should be ready because, in an increasingly artificial world, people will crave one thing above all else: Authenticity. They will be drawn to human presences, voices, and interactions.

This is an incredible opportunity for authors. By recognizing the universal need for authenticity and connection, they can draw their potential readers in by being someone who shares their human side!

Go deeper with your interactions with readers. Think about points of common ground: What experiences do you and your readers share? Which of your thoughts and perceptions will resonate, making them feel seen and heard? How can you share anecdotes, ideas, sparks of humor, and bits of your personal life alongside discussions about your creative work? What topics and themes in your book suggest areas of common interest? Start some conversations.

It might take practice, but being open and authentic can turn readers into lifelong fans…of you. These relationships are incredible–knowing people are in our corner sustains us when life gets hard. Too, not only will devout readers look forward to the next book, but they’ll want others to discover your books, too.

3. Create a “clubhouse” for your readers.

Adding to the point above, I have always believed marketing is about relationships, not sales. We build strong relationships by caring about others, making them feel valued, and giving them something they need. When this is done right, sales follow naturally.

It’s great to use social media as a way to find potential readers and connect with them, but trying to be everywhere at once is overwhelming. People can become fatigued by social media too. This is why thinking about creating a meeting spot away from the noise of the online world can be a great way to forge meaningful bonds with readers.

Your “clubhouse” can be anything that works for you: an online community or group, a personal newsletter or Substack, a private forum attached to your site, etc. Whatever your clubhouse looks like, don’t bombard folks with promotion. These people aren’t dollar signs and trust me, AI will be targeting them everywhere, trying to sell, sell, sell. So be different. Focus on the relationship: share content they’ll like, ask and answer questions. If you’re communicating through a newsletter, be the person they are always happy to hear from! Your clubhouse should make people feel seen, cared about, and valued.

4. Think we, not me.

As the fight over a reader’s attention heats up even further, we may think we need to isolate ourselves from other authors because they are our competition. Not so. Human authors are our allies.

No matter how well you write or how big your audience is, you only have a sliver of the potential reading audience. Authors with similar books also have loyal readers, and many are different from your own. Collaborating with authors who write similar, high-quality books can be a win for you both as you’ll each reach new people.

Collaboration is about more than sharing audiences—it’s about creating a sense of camaraderie. Readers will notice and appreciate authors who prioritize relationships over sales pitches. Too, every author has unique experiences, ideas, knowledge, and connections. Joining forces with other authors and sharing what you each know means less trial and error.

5. Educate yourself and watch for scams.

Whenever there’s a disruption, people look for opportunities to monetize whatever has changed. Part of thriving as an author will be staying informed and watching for profiteers selling “easy solutions.”

Self-publishing created a ramp-up in vanity presses, predatory promotional and editing services, and low-skill freelancers looking to bleed authors of their cash. This era of AI will be the same.

If you need AI solutions for marketing, research before investing in courses, ad services, or tools. Look to trusted industry leaders like Jane Friedman, David Gaughran, or the Alliance of Independent Authors for guidance. Don’t fall for pressure tactics, FOMO, or fear-based marketing. And remember, if someone is selling something that seems too good to be true, it probably is.

One area to be especially cautious of is Ads. As the book market becomes increasingly huge, pay-to-play platforms (Meta, Amazon, etc.) are the real winners as people run ads (or more ads) to gain visibility. Likely we’ll see a rise in ‘Ad experts’ pitching their company to run your ads or use their AI tools and platform solutions. Some may be a good investment. Others will drain your pockets. Investigate and talk to other authors. Make sure the ROI is clear.

6. Decide how (and if) you’ll use AI as an author.

AI is a threat and a tool. Creatives (and folks in other industries who had their content scraped without content) are rightfully upset about AI. But it’s here to stay so we will all need to eventually decide if (and how) we’ll use it. This is a moral question and a practical one.

You may decide that while you’re morally opposed to using it to write, you use AI solutions to help you with other tasks–researching, marketing, time management, whatever. Or you are a firm no. But whether you use it or not, it’s important to understand how others are incorporating it, and the impacts this may have on our business.

The Key to Thriving:
Using Your Humanity

AI may be here to stay, but so are authors. We can’t control AI’s disruption over our industry, only how we respond. By focusing on what makes us uniquely human, we can create stories that resonate far more deeply than AI-generated books. Best of all, by simply being ourselves, we can forge genuine connections with readers and fulfill a universal longing for authenticity—an ironic consequence of the rise of AI.

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post How Authors Thrive in a World of AI-Generated Books appeared first on WRITERS HELPING WRITERS®.

AI is reshaping the book industry, and writers are polarized; some have integrated AI into their writing process while others refuse to. No matter which camp you align with I’m sure you share a growing concern: creatives are not the only ones publishing books. Thanks to AI tools, anyone with a keyboard can slap something together (sometimes ripping off the original), leading to a surge of AI-generated books.

Oh, but the books are bad. They don’t matter.

Are they all bad? And even if they are, will they remain that way? The hard reality is that it is the nature of AI to improve and refine, and so improve and refine it will. In the meantime, quality books become harder to find because this AI side hustle is picking up steam. Writers are beginning to worry about having to compete with AI-generated books.

So, is the board set against us–should we give up writing? Heck no! Instead, we write better books by leaning into our strengths and harnessing the one thing AI can’t compete with: being human. Here’s how.

1: Write about human experiences

AI absorbs knowledge about people and learns how to write scenes by training itself on works of fiction. But when it comes to the experience of being human, AI can only mimic. So, put your innate understanding of humanity onto the page. Let your own life experiences guide you in showing the rawness of vulnerability, the subtleties of emotion, and the profound depth of human needs in your characters. Be unafraid to go deep inside yourself. What questions keep you up at night? What thoughts and worries about the world weigh you down? Chances are, your readers have similar questions, so make them feel seen by weaving these into your story.

Consider the duality of life. On the surface, people present an ‘everyday’ version of themselves—their jobs, choices, routines, and social interactions. Yet beneath lies a more complex and private being, one who wrestles with questions of identity, purpose, and belonging. Write characters with this same hidden self, complete with unique doubts, fears, and unspoken dreams. Readers will feel drawn to them, and relate because this deeper, human side mirrors their own.

Another reason to double down on human elements in stories? As customer service bots, AI social profiles, generated videos, news, etc. become commonplace, the world starts to feel artificial. People will crave authenticity and you can give it to them.

2: Share your worldview, culture, identity, and lived truth

You are the subject matter expert in your lived experience, not AI, so consider how you can bring something special to a story. Whether it’s a window into your culture or religion, a worldview based on experiences or identity, or something else like a personal hardship, upbringing, or belief, readers recognize the authority behind a true-to-life portrayal.

AI can write generically about these things using information within its datasets, but only humans can capture a lived truth. So write characters and situations that are echoes of your own life. Bring readers in close so they experience things that come from first-hand knowledge.

3: Master your craft in areas best suited to showcase human elements

A misconception (long before AI) among some novice writers was that they didn’t need to learn how to write well because that was an editor’s job. This led to a painful lesson when reputable editors wouldn’t touch their manuscripts or the cost to do so was too high, causing them to seek cheaper options or a vanity press. Either way, the writer ended up with a poor-quality book.

Thankfully most writers understand that writing well means putting in the work. But some do treat AI like it’s a magic genie, and this laziness affects the quality of their stories. So keep learning your craft, especially in areas that help you showcase human elements readers are hardwired to connect to. For example:

1) Voice. Learn all there is to know about developing your author voice and creating authentic voices for your characters. Write characters who reveal their individuality through observations, actions, and decisions. This is where your story can stand out.

2) Description (especially the art of show, not tell). Being able to describe sensory details, use metaphor, symbolism, etc. to imply something deeper, and bring a character’s authentic emotions to the surface will draw readers in and convey authenticity in a way AI writing cannot.

3) Inner Conflict. A character’s personal struggles illustrate the complexity of being human in a powerful way. Sure, AI can rehash common problems, but only humans can draw from their experiences to create relatable internal battles. Learning how to write about internal conflict to accurately show a character’s clash of fears, desires, needs, duties, and beliefs is well worth the investment.

4) Character Arc. Study character arc and what it will specifically look like for a character. What personal epiphanies will help them move past old hurts and break free of fear? How have they been viewing life and themselves wrong? How must they change and grow to achieve a happier, more fulfilling life? What do the steps of self-examination, personal realizations, and renewed self-belief look like for them?

It may seem like a lot of questions, but the answers give you the knowledge you need to write an authentic journey of highs and lows that readers will connect to. Alternatively, you should know what failure, unfulfillment, and unhappiness will look like for a character because people never make good decisions all the time. Fear and making mistakes can chain them to failure, and if they can’t break free of it, you need to be able to show that, too.

5) Psychology. It may not seem like a traditional writing element, but it is. The more you understand how people think, feel, and behave and why, two incredible things happen. First, you’ll create more complex, authentic characters whose actions, choices, and decisions line up with who they are. Second, you’ll see how to weave elements about the character’s life, journey, and inner struggles in a way that resonates, encouraging readers to connect more deeply with the characters and your story.  

If you’ve read any books in our Writers Helping Writers Thesaurus series, you know how much Becca and I focus on psychology and human emotion. This is why. AI will apply psychology too, but not like you and me because it only has clinical knowledge, not personal experience. And that makes a big difference!

4: Shake it up and experiment

AI likes to draw from character tropes, predictable plots, devices, and story patterns, so color outside the lines! Blend genres and story elements. Shatter stereotypes and twist tropes. Be original and bold as you write, and use craft to serve your vision of the story.

5: Embrace one of your greatest human strengths: adaptability

We enter this career path knowing it won’t be easy. But like our characters, we must find a way forward when things get hard. AI-generated books are causing problems for us, yes, but as they get better, so will we. Learning our craft and leveraging our human knowledge and experiences will help us distance ourselves from the generic stories others churn out.

Worried about the future of writing?

Let that go. You can’t control how AI is used but you can adapt how you write to compete with AI-generated books.

Include human elements. Use your story as a mirror to reflect the reader’s hidden self–their hopes and dreams, perspectives and questions. Leverage your humanity to outshine AI!

Remember, readers love to read and great stories will always be in demand!

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post How to Leverage Humanity to Outshine AI-Generated Books appeared first on WRITERS HELPING WRITERS®.

Welcome to 2025…and say hello to a brand new Writers Helping Writers® bookstore!

Like many other authors, Becca and I have switched to a Shopify storefront so we can provide a better experience for everyone wanting to buy direct.

We’re excited about this upgraded storefront, both for the flexibility to eventually branch out to offer things beyond books –workshops, on-demand webinars, packets, etc.– and the fact that it is a vast improvement over the system we’ve had to use to date.

But first, what does “Buy Direct” mean?

Buying direct means instead of purchasing a book from an etailer like Amazon, Kobo, or Apple (who take a big chunk of each sale) you buy from the author’s website. This helps the author because when more book revenue lands in their pocket, they’re closer to making a livable wage. And when they do, it gives them the freedom to write more books, offer discounts, and more. So buying direct is a win-win for the author and readers.

But buying direct also has other benefits, like…

Buying Direct can better protect your books

A problem with buying a digital copy from someone like Amazon is they have control over that book file, not you. If it disappears from your Kindle library due to a glitch, syncing issue, or because they decided you did something wrong, getting it restored can be hard (or impossible). When you buy a digital book from our store, our partner Bookfunnel always keeps your book safe and accessible. You own the book.

Buying Direct means early access

Our bookstore will allow us to offer new releases before they are available elsewhere. Often Becca and I have a new book in hand for weeks prior to a book launch but we have to wait for the official release date. Now, we can pop a new guide into our store when it’s ready and minimize waiting.

Buying Direct keeps you in the loop (and saves you $$$)

Right now our store is set up to offer digital formats (ebook and PDF), but print is coming! And we’re looking to expand to other things as well. If you sign up for store notifications we’ll pop a quick message into your inbox whenever a cost-saving bundle, special workshop, on-demand webinar, discount, or something else becomes available. (But that’s it–no ‘hard sell’ stuff. That’s not us.)

Buying direct is a great way to support an author you care about, and Becca and I want to thank you for considering our Writers Helping Writers Bookstore when you’re looking for writing help. Thank you!

So, ready to check out our new store?

Visit the link above and take this celebratory discount code with you: WHWTHANKSYOU

This one-time code is a buy one, get the second ebook single at a 50% discount. You’ll see a place to enter the code when you checkout. (And a tippy tip: if you sign up for store notifications, you’ll get a bonus code that discounts your entire order a further 10%!) Add that second code at checkout to use both in the same order.

We’d also love your feedback. We’re just getting stared and have improvements in mind, but you guys are the pros here. You know what you need to see when deciding to buy a book, and we’d love your ideas on what might make this store better. If you’d like to leave us impressions or suggestions, zip over here. (It’s anonymous.) And thank you!

Don’t forget to redeem your buy one, get one code by January 15th, 2025, and happy writing!

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post Meet Our New Bookstore (& Save 50% off a Thesaurus!) appeared first on WRITERS HELPING WRITERS®.

What secret is your character keeping? Why are they safeguarding it? What’s at stake if it’s discovered? Does it need to come out at some point, or should it remain hidden?

This is some of the important information you need to know about your character’s secrets—and they will have secrets, because everyone does. They’re thorny little time bombs composed of fear, deceit, stress, and conflict that, when detonated, threaten to destroy everything the character holds dear.

So, of course, you should assemble them. And we can’t wait to help.

This thesaurus provides brainstorming fodder for a host of secrets that could plague your character. Use it to explore possible secrets, their underlying causes, how they might play into the overall story, and how to realistically write a character who is hiding them—all while establishing reader empathy and interest.

Maybe your character is…

Pregnant

ABOUT THIS SECRET: While pregnancy is often cause for celebration, a character who becomes pregnant accidentally or under adverse circumstances—as the result of an affair or a rape, without a partner’s support, or even against her own wishes—might be desperate to keep it a secret. She might struggle with fear or shame, not only about the pregnancy itself but also by what could follow if the news gets out.

SPECIFIC FEARS THAT MAY DRIVE THE NEED FOR SECRECY: Becoming a Parent, Being a Burden to Others, Being Capable of Harm, Being Judged, Being Unable to Achieve a Dream, Change, Humiliation, Losing Autonomy, Losing Financial Security, Losing the Respect of Others, One’s Genetics, Regret, Relational Commitment, Repeating a Cycle of Abuse

HOW THIS SECRET COULD HOLD THE CHARACTER BACK
Having to avoid close friends and family (because they’re the most likely to notice something has changed)
Losing access to the people who would offer advice and support; having to go through the situation alone
Not being able to pursue desired career opportunities
Being consumed by guilt and shame (for being pregnant to begin with, from constantly lying to loved ones, etc.)

BEHAVIORS OR HABITS THAT HELP HIDE THIS SECRET
Wearing baggy clothes
Running the tap in the bathroom to mask signs of morning sickness
Embracing future plans that would be difficult for a pregnant person (scuba diving, extensive travel, etc.)
Not making pregnancy-related plans (buying maternity clothing, taking prenatal vitamins, etc.)

ACTIVITIES OR TENDENCIES THAT MAY RAISE SUSPICIONS
Gaining weight
Giving up smoking or alcohol
A pregnancy test being found in the garbage
The character suddenly wanting a commitment from her partner

SITUATIONS THAT MAKE KEEPING THIS SECRET A CHALLENGE 
Having to change clothes in front of others (in a locker room, hotel room, etc.)
Canceling a big event that will take place after the baby is born (one that will be hard or impossible to attend with a baby)
Developing a pregnancy-related condition that requires bedrest or hospitalization
Sharing the secret with someone who proves to be untrustworthy (the boyfriend, a close friend, a family member, etc.)

Other Secret Thesaurus entries can be found here.

Need More Descriptive Help?

While this thesaurus is still in development, the rest of our descriptive collection (18 unique thesauri and growing) is accessible through the One Stop for Writers THESAURUS database.

If you like, swing by and check out the video walkthrough for this site, then give our Free Trial a spin.

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post Character Secret Thesaurus Entry: Being Pregnant appeared first on WRITERS HELPING WRITERS®.

Good news! Your Secret Santa (Godzilla) has dropped another writerly gift into your stocking.

(And, if you missed the first gift he left for you, no problem. Just click through to this link to find Gift #1.)
We hope you enjoy it!

Ready to see what he’s left in your stocking?
Click the image below to collect your gift:

Also, I have to warn you:
Godzilla’s been reading again.

You know what this means–another book review. Lord help us. Here it is . . .

Godzilla Reviews The Occupation Thesaurus

As the all-powerful Godzilla, I have a unique perspective on occupations—after all, “Kaiju” isn’t your typical 9-to-5. But I tell you, as a reader, nothing causes me to incinerate a book faster than a character with a job that seems ‘slapped on.’

Like my relentless obliteration of enemies who threaten the natural balance, any true-to-life character is gonna spend a lot of time working, so of course their chosen job should fit their identity and circumstances. A well-thought-out choice gives a character depth, so steer clear of jobs that feel cliche, act as a plot device, or come across as a character quirk.

The Occupation Thesaurus: A Writer’s Guide to Jobs, Vocations, and Careers has helpful breakdowns of different job types, making it easy to find matches for the character’s skills, personality, moral code, or even a passion–like my passion for using atomic breath and destruction to keep puny humans and inferior titans in line.

A big problem with this book? While it covers an impressive range of possible occupations and shows how this characterizing detail can generate radioactive story conflict and mess up even the strongest relationship, WHERE was the entry on Kaiju? What, a city-stomping behemoth isn’t GOOD ENOUGH to profile as a career in this guide? Sure, there is only one Godzilla. But you ask me, laying waste to buildings, destroying battleships with a fist, and body-slamming monsters into oblivion should be the dream job of every character!

~Godzilla

Well, there you have it. Godzilla’s review of The Occupation Thesaurus. Um…thanks, I guess?

If you’re looking for a Christmas Gift…

The Occupation Thesaurus: A Writer’s Guide to Jobs, Vocations, and Careers dives into the type of work your character does…and how this important choice will give your story depth and meaning.

A character’s job is powerful, allowing you to convey a lot of characterization about them in a single punch: traits, skills, priorities, and more. Yet, many writers don’t think much about their character’s occupation—or worse, they pick something randomly, and miss out on what that job can reveal.

Researching specific careers takes time, so we’ve done the work for you. Part how-to, part brainstorming tool, this guide showcases over 120 jobs and breaks each down so you can find the perfect match and write about it with authority. 

More about this book
View the list of job profiles
Buy the book
Read Amazon reviews (4.8/5 Stars)

We hope you find gift #2 helpful, and wishing you a lovely holiday season!

Angela, Becca, & Mindy

Happy writing, everyone!

Stocking Stuffer #1 can be found here.

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post Stocking Stuffers for Writers Gift #2 Is Here! appeared first on WRITERS HELPING WRITERS®.

December is here, and that means Godzilla’s Stocking Stuffers for Writers is back! Now, you might be thinking, isn’t it early to give holiday gifts? And WHY is Godzilla my Secret Santa?

Great questions!

You might not know this, but Godzilla guards Angela’s Christmas tree. He takes his job seriously, but as you can imagine, a guy gets pretty bored up there. Over the years, he’s become quite the reader, but unfortunately, he’s SUPER PICKY ABOUT BOOKS.

He threatened to smash down my tree if Becca and I didn’t supply writers with stocking stuffers to help them write more amazing stories. And that’s how Stocking Stuffers for Writers was born.

Want to see what Godzilla-approved Stocking Stuffer we have for you today? Click the image below to collect your gift!

Godzilla also wants to share his latest read with you.

In fact, he’s written a book review. I’m a little afraid to post it here but he’s insisting–rather aggressively–so, um, here it is…

Godzilla’s Book Review:

As the mighty Godzilla, I know a thing or two about causing chaos and destruction. So, when I found The Emotion Amplifier Thesaurus: A Writer’s Guide to Character Stress and Volatility on the bookshelf, I was fired up. Yeahhh, stress! Makes you mad and you smash things. Books need more smashing in them.

I liked how this guide digs into common states and conditions—like pain, exhaustion, scrutiny, and danger—that make it hard for characters to stay in control of their emotions. That’s great! When they lose it, they make big mistakes, like maybe they set a city on fire or something. Nothing wrong with a little arson if you ask me. Amplifiers also make it nearly impossible to hide their emotions. Ha! Puny humans. Only the great Godzilla can hide emotion!

What I didn’t like? Well, as a monster who enjoys destroying buildings and stomping on adversaries, I couldn’t help but notice a total lack of guidance on showing the sheer joy of mass destruction. Where were the tips on capturing the exhilaration of toppling skyscrapers and sending people running for their lives? Total oversight. More focus on violence and chaos would have taken this book up a notch.

~Godzilla

Well, there you have it. Godzilla’s review of The Emotion Amplifier Thesaurus. Um…thanks, I guess?

If you’re looking for a Christmas Gift…

The Emotion Amplifier Thesaurus: A Writer’s Guide to Character Stress and Volatility takes writers through the disruptive world of amplifiers—specific states or conditions that make it difficult for a character to emotionally self-regulate, setting them up for poor judgment and (hopefully) colossal mistakes they’ll have to fix and learn from.

Part how-to, part brainstorming tool, this expanded edition explores 52 unique amplifiers, such as pain, hunger, competition, arousal, and more. This book is a companion for The Emotion Thesaurus.

More about this book
View the list of amplifiers covered
Buy the book
Read Amazon reviews (4.9/5 Stars)

We hope you find today’s Stocking Stuffer gift helpful, and keep your eyes peeled for the next Stocking Stuffer to drop (and probably more Godzilla book reviews).

Happy writing, everyone!

Angela, Becca, & Mindy

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post Stocking Stuffers for Writers Is Back (and so Is Godzilla) appeared first on WRITERS HELPING WRITERS®.

What secret is your character keeping? Why are they safeguarding it? What’s at stake if it’s discovered? Does it need to come out at some point, or should it remain hidden?

This is some of the important information you need to know about your character’s secrets—and they will have secrets, because everyone does. They’re thorny little time bombs composed of fear, deceit, stress, and conflict that, when detonated, threaten to destroy everything the character holds dear.

So, of course, you should assemble them. And we can’t wait to help.

This thesaurus provides brainstorming fodder for a host of secrets that could plague your character. Use it to explore possible secrets, their underlying causes, how they might play into the overall story, and how to realistically write a character who is hiding them—all while establishing reader empathy and interest.

Maybe your character is…

Is Safeguarding Someone’s Secret

ABOUT THIS SECRET
Sometimes characters are secret-keeper for others, either because they have been asked to, or the character learned something by accident and has chosen not to share it. They could have many reasons for doing so, including a desire to respect the other person’s privacy, protect them from harm, or not wanting to become personally involved in something that could bring them unwanted scrutiny, risk, or danger.

SPECIFIC FEARS THAT MAY DRIVE THE NEED FOR SECRECY: Abandonment, Being Attacked, Being Capable of Harm, Being Labeled, Being Responsible for Others, Being Taken Advantage of, Being Unsafe, Conflict, Letting Others Down, Losing Autonomy, Losing One’s Social Standing, Putting Oneself out There, Relational Commitment

HOW THIS SECRET COULD HOLD THE CHARACTER BACK
Struggling with having to lie to protect the secret
Having to take risks to help the person avoid exposure
Experiencing anxiety or fear over what to do (if the secret is dangerous or harmful)
The secret shattering a close relationship (over knowing what they did) and mourning that loss

BEHAVIORS OR HABITS THAT HELP HIDE THIS SECRET
Shutting down gossip that involves the person and/or what is being hidden
Watching for threats (nosy people making connections, etc.) that could endanger the secret
Steering the conversation away from anything that might lead to discovery
Using misinformation, false rumors, or lies to keep people from learning the truth

ACTIVITIES OR TENDENCIES THAT MAY RAISE SUSPICIONS
Being caught in a lie
Not attending an event the character was expected to but cannot due to the secret
Emotional volatility around the party at fault (e.g., being unable to rein in anger and judgment around the abusive partner of a friend who is keeping her bruises a secret)

SITUATIONS THAT MAKE KEEPING THIS SECRET A CHALLENGE 
Wanting to offer advice but knowing doing so will alert people involved
Wanting to warn someone when that person is unaware the character knows their secret
If suspicions are raised and the danger increases for the character
When keeping the secret means crossing a moral line

Other Secret Thesaurus entries can be found here.

Need More Descriptive Help?

While this thesaurus is still being developed, the rest of our descriptive collection (18 unique thesauri and growing) is accessible through the One Stop for Writers THESAURUS database.

If you like, swing by and check out the video walkthrough for this site, then give our Free Trial a spin.

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post Character Secret Thesaurus Entry: Is Safeguarding Someone’s Secret appeared first on WRITERS HELPING WRITERS®.