Years ago I joined the award-winning site, The Critique Circle, where I learned to hone my writing skills and develop the thick skin needed to take criticism and rejection. In addition to writing well beyond a thousand critiques, I became a moderator for the site, and with members in the thousands, I mediated situations that cropped up between writers who either struggled to give an appropriate critique, or to accept one.

This experience taught me the value of peer feedback. Learning how to give and take a critique is one of the best ways to develop your writing skills. Critiquing isn’t a walk in the park, however. It’s very easy to let one’s emotions get in the way and damage relationships. For this to work, a person must respect the other’s role, value the time and energy writing and critiquing takes, and follow through without letting emotions overrun good judgment or manners. Here are “best practices” writers should observe in each stage of the Critique Process.

When Asking for a Critique

If you are lucky enough to find someone willing to give feedback, it is your job to make your work presentable. Here’s how:

• Be honest about the stage the work is in. If this is a first draft, say so. Readers need to understand what they are looking at to offer you the best advice on how to proceed.
• Respect their time. Don’t be unreasonable regarding turnaround time. If you are on a deadline, make sure that is understood before you send your work. If you like, ask for the critter’s best guess for having it back to you. Contact them (politely) to ask how it is going only after this time has passed.
• Always send clean copy. First draft or last, make sure you have fixed typos and punctuation, and hopefully taken a stab at grammar as well. If your work is full of mistakes and your manuscript reads poorly, it becomes distracting and takes away from the critter’s ability to offer insight and advice on the story itself.
• Ask questions or voice concerns only at the END of the writing sample. This allows you to hone in on areas you’re worried about, but by placing questions at the end, you ensure the person reads the submission “clean” and without bias. Otherwise they will be looking for specific things as they read, and may miss the forest for the trees.

When Giving a Critique

It is the critique partner’s job to pay the submission the attention it deserves. Some important points to remember:

• Focus on the writing, not the writer. No matter what shape a story is in or how green the writer may be, a critter’s job is to offer feedback on the writing itself, not a writer’s developing skills (unless you are praising them, of course).
• Offer honesty, but be diplomatic. Fluffy Bunny praise doesn’t help, so don’t get sucked into the “but I don’t want to hurt their feelings” mindset. Your honest opinion is what the writer needs to improve the story, so if you notice something, say so. However, there is a difference between saying “This heroine is coming across a bit cliché,” and saying, “This character sucks, I hate her—what a total cliché.”
• Be constructive, not destructive. When offering feedback, voice your feelings in a constructive way. To continue with the cliché character example, explain what is making her come across cliché, and offer ideas on how to fix this by suggesting the author get to know them on a deeper level and think about how different traits, skills and flaws will help make her unique. Give examples if that will help. Bashing the author’s character helps no one.
• Be respectful. Regardless of where the writer may be on the path to publication, they have chosen to share their work with you, and this will make them feel vulnerable. Honor this by treating them and their work in a respectful way.
• Praise the good along with pointing out the bad. Sometimes we get so caught up in pointing out what needs fixing we forget to highlight what we enjoyed. If there’s something amazing about the work, say so. Even if the story is not your favorite, try to point out something positive, even if it is a simple description or dialogue snippet. The positives are what help writers keep going even when there is still a lot of work to do.
• Offer encouragement. Part of our job when critiquing is to offer encouragement. We want to build people up so they work harder to succeed, not tear them down and erode their confidence. End any critique with some words of support and friendly encouragement so it reminds them that writing is a process and we’re all in this together.
• Return the critique in a timely manner. If it has not been agreed upon before you receive a submission, give the writer a ballpark timeline to have the critique returned to them and then stick to it. If you need an extension, don’t wait for them to ask where the critique is…be proactive and explain your circumstances.

When Receiving a Critique

A critique waiting in our inbox brings about both excitement and dread. This is the final phase, with important steps to follow.

• Before opening the critique, let the critter know you received it, and that you are looking forward to reading it as soon as you have a chance. This lets them know that it didn’t get lost in cyberspace, and that you have not yet read it, which gives you some time to process the critique without them wondering why you haven’t said anything about it to them.
• Before you read the critique, remind yourself that the reason you asked for feedback was to make the story stronger. Set the expectation that you will have work to do, and ultimately the story benefits. Steel your emotions for what is ahead.
• Read through the critique once. Try your best to not let anger, disappointment or even excitement cloud your read. Then, set it aside and turn your attention to something else. Use this time to go through any hurt feelings this critique caused, and deal with any emotional responses (self-doubt, frustration, even elation). Good or bad, you need to clear emotion from the picture to be able to best utilize this feedback, even if your gut instinct is to disagree with it.
• When you are ready, go through the critique again, this time, free of emotion. Look at each suggestion objectively and make notes to yourself. If there are suggestions that make you angry or defensive, pay special attention. Often when a comment hits close to home it indicates that something requires more thought. Challenge yourself to see the situation or scene as they did. Do you understand how they arrived at a specific conclusion? Is information missing that would help them view the situation/scene as you intended? This may lead you to realize something needs strengthening. Or, through the act of poking and prodding, you reaffirm your belief that it works as is, and you can dismiss this suggestion. (However, pay special attention when multiple partners highlight the same issue…even if you believe it is good enough, chances are strengthening is needed.)
• **Respect the Critique Partner’s time and effort. This person likely just spent several hours working on your submission, and regardless if you agree with the feedback or not, you should send a follow up email thanking them for the critique, highlighting how it gave you better insight into you story and characters. If you have questions about the feedback, ask! This is your opportunity for more helpful discussion and ideas on how to make your book better. Do not get angry. Let me repeat that: do NOT get angry. Take the high road, even if you found nothing helpful. Show appreciation for their time, and in the future, find another partner.

**This last point is very important to nurture a critique relationship.

This person chose to help you, taking time away from their own writing. As someone who often spends hours on a critique, there is nothing more frustrating to me than when a writer does not acknowledge my work. I’m not looking for flowery pats on the head, simply to know the feedback was helpful in some form. Anyone who has given their time is worthy of your appreciation, regardless of whether you agree with their suggestions or not.  Be gracious when feedback rolls in.

Consider Offering Feedback in Return

Critiquing is about give and take, so if someone has kindly given time to help you, offering to look at something in return is the right thing to do.

Do you have any tips to add? Have you found critiquing helpful, or do you avoid it like the dentist’s chair?

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post The Ultimate Guide for Giving and Receiving Feedback appeared first on WRITERS HELPING WRITERS®.

I want to write a book.

You remember when this big idea first hit, right?

Maybe you were browsing for books, waiting for an author’s autograph, or sitting in awe after finishing a great novel. The idea took hold of you, and soon you found yourself buying notebooks, pens, and sticky notes. You browse online for writerly things—a cute laptop sticker or a mug that says, “Writer at Work.” And then when it arrives, you fill it with your favorite drink, sit down at your computer, and open up a new document. Because it’s SHOWTIME!

You place your hands on the keyboard, grinning like a clown-obsessed maniac. This is it—the magic is about to happen.

Onscreen, the cursor blinks. And blinks.

Boy, the page is so white. How did you not notice before? And that infernal flickering cursor… is it just you, or does it seem kind of judge-y?

And that’s when you realize your big idea has a second part to it:

I want to write a book…but I have no idea where to start.

Thankfully, this truth, while inconvenient, doesn’t have to stop any of us from writing. It may seem daunting at first, and doubts might try to sway us (What was I thinking? I can’t do this!), but I’m here to tell you that, yes, you can write a book.

7 Tips for How to Write a Book When You Have No Idea What You’re Doing

Not knowing where to start is a problem countless writers before us have faced and figured out. So, if you are feeling a bit lost when it comes to your big dream, these seven things can help you move forward and even better, jump start your writing career.

1. Write

Sure, this seems obvious, but starting can be paralyzing. We worry about committing our ideas to the page because what if they resemble some four-year-old’s Cheerios-and-glue “masterpiece”? Well, guess what? They might, and that’s okay. Great storytelling takes time, and if that didn’t put off Stephen King, Susanne Collins, or Nora Roberts, it shouldn’t stop us, either.

To begin, think about your Big Story Idea. Jot down your ideas, or try outlining the story you envision using one of these methods or this outlining software. Or start with something small, like one scene. At the beginning of a writing journey our goal should be getting comfortable with putting words on the page and having fun, not pressuring ourselves into penning the next Game of Thrones.

2. Read Widely

Reading is so enjoyable we tend to forget how each story is a treasure trove of education on what makes a book good, bad, or off-the-charts great. So read widely, thinking about what makes each story compelling. Look for characters that stand out, story worlds that seem so real you feel part of them, and plots that keep you flipping pages long into the night. Ask yourself questions:

• What made certain characters larger than life?
• Did their personalities, complex motives, or a truth they live by pull you to them?
• What scenes and situations seemed the most real to you?

Studying where you fell under the storyteller’s spell can help you see how you can do the same for your readers.

3. Join a Writing Group

One of the best things you can do at the start of this journey is find others on the writer’s path. A community of writers puts you in touch with those who have the same goal, meaning you can learn from and support one another. Plus, having creatives in your circle helps to keep you accountable, meaning your butt stays in the chair and words get written.

4. Collect a War Chest of Knowledge

We all start with some talent and skill, but to write well we need to train up. Visit Amazon to find writing books with high reviews so you can judge which might be most helpful for your development. Make note of the title or ISBN and order them at your favorite bookstore.

Another way to build your knowledge is by subscribing to helpful writing blogs. Bite-sized learning can be perfect for a time-crunched writer. I recommend exploring all the resources on this page, studying up on character building, story structure, worldbuilding, and everything in between.

Getting to know who the people in our stories are and what makes them tick helps us understand what’s motivating them, and that makes writing their actions and behavior easier. To dive deep into who a character is so you can write them with authority, this tool will help.

5. Take a Course or Workshop

Investing in guided or self-guided learning can also kickstart your progress. The community is packed with great teachers. Below are some good options, but first, if you belong to a writing organization, check to see if they offer members classes for free or at a discount.

• Reedsy Learning Center
• Bang2Write Courses
• Lawson Writer’s Academy
• Jami Gold Workshops
• Jerry Jenkins
• Writing for Life Workshops
• Michael Hauge (Hero’s Two Journeys)

6. Look For Step-by-Step Help

As any writer will tell you, the road from an idea to a publish-ready novel is a long one, and it’s easy to get lost along the way. It’s no fun when we don’t know what to write next, or we don’t know how to solve a problem in the story. And, if we get too frustrated or our writing stalls for too long, we might end up quitting. Having an expert offer guidance as you write can keep you on track.

Some writers like to partner with a writing coach so they get personal feedback and support as they go. If this is something you might like, here’s a list to start with. A benefit is that you’ll learn a lot about writing as you go, but depending on how long you need coaching for it can get a bit costly. So another option might be the Storyteller’s Roadmap at One Stop for Writers. This roadmap breaks the novel-writing process into three parts: planning, writing, and revising. It has step-by-step instructions on what to do as you go, and points you to tools, resources, and articles that will make the job easier.

The Storyteller’s Roadmap also has built-in solutions for the most common writing problems, so whether you need to overcome Writer’s Block, Impostor’s Syndrome, or stop new ideas from derailing your story, the Code Red section keeps you on track.

7.  Above All Else, Be Fearless

Starting a book can seem like a monumental undertaking, and sometimes with big dreams, we have the tendency to try and talk ourselves out of them. We fear failing, because we think that’s worse than never trying at all. If you feel the passion to write, don’t let fear stop you. The world needs great stories!

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post How to Write Your First Book appeared first on WRITERS HELPING WRITERS®.

Is it just me or did the month of January fly by? Seems like I was just putting away Christmas decorations and gearing up for the new year.

January’s always a busy time for Angela and me because it’s when we do our annual planning—figuring out what our goals should be and how we should allocate our time. Staying organized is more important than ever because we’re closing in on 16 years of blogging (crazy!), and things are a little busier and more complex at Writers Helping Writers than they were in 2008. So carefully planning our time is key to us staying sane.

But we still find ourselves looking back sometimes at the things we did when we were first starting out—fun launch events and opportunities that had to be set aside as our responsibilities grew and our time got squeezed.

One thing we miss is being able to answer your questions about writing and the business side of things. Angela and I have been studying writing craft and managing the business end for some time now, so if we have knowledge that can help you, we want to share it. To this end…

We’re bringing back our Q&A!

For now, we’ll include the Q & A in our Master Storytelling newsletter (see the latest edition here), and this means we need your questions!

So, is there something you’re struggling with and need help understanding? Or do you have a question about us personally? If so, let us know. To get your brain churning, here are some topics and questions:

Writing Craft and Various Aspects of Storytelling

How do I figure out my character’s wounding event?
What’s the difference between a change arc and a failed arc?
What tips do you have for showing instead of telling?
How do I identify my story’s theme?
How much description should I include when I’m describing my setting?
What nonfiction writing craft books would you recommend?
What story structure model do you like to use, and why?

The Business of Writing

I have a full-time job; how do I make time for writing?
Should I create a business plan, and how do I do it?
I’m attending a conference this summer. Any tips on maximizing that experience?
What are some ways I can use my writing skills to make money on the side?
How can I use A.I. to save time and maximize my efficiency as a writer?
What’s a mistake you and Angela made on the business side of things, and what would you do differently?

Publishing

Should I self-publish or go with a traditional publisher? What are the differences?
Do I need an agent?
How do I know my book is ready for submission?
How do I find a critique group?
How do I know what feedback to incorporate into my story and what to ignore?
How do I tell a legitimate publisher from a vanity press?
Do I have to hire an editor?
When should I copyright my work?
Can you recommend a formatter/cover designer/proofreader/etc.?
Why did you and Angela decide to self-publish your books?

Book Marketing

How do I gain visibility for my books?
Should I go wide or narrow?
How do I find my ideal reading audience?
What should I write about in my reader-focused newsletter?
What marketing strategies have worked the best for you and Angela?

Our Books, Resources, and Services

What’s the difference between your books and One Stop for Writers?
Which of your books should I buy for a friend who’s a beginning writer?
How do I use the Reverse Backstory Tool in Appendix A of The Negative Trait Thesaurus?
I just found your Goal, Motivation, Conflict, & Stakes tracking resource. How do I figure out why they want to achieve their goal?
Will you be turning the Fear Thesaurus into a book?
What was your favorite book to write?

Getting to Know Becca and Angela…

(because all work and no play turns you into this guy).

How do you collaborate on books – what does that look like?
What are your biggest struggles as authors?
Do you have a pet, and can you share a picture of them?
When was the last time you were embarrassed?
How did the two of you meet?
What have you learned about yourselves from writing your series?
Pineapple on pizza: yes or no?

This is just a sampling of the kinds of questions you could ask. Basically, we’re happy to answer anything writing- and career-related that you need help with and share a bit about our personal side, too. (If you have a question about your specific story, we won’t be able to answer those as we’d require a lot of specific knowledge about your project.)

If you’d like to submit a question, please use this form. You can enter up to 3 questions at a time; if you have more than that, just click the link and start a new submission. The more questions the better!

We can’t wait to see what you come up with!

BECCA PUGLISI

Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers—a powerhouse online library created to help writers elevate their storytelling.

The post What Are Your Questions about Writing & the Business Side of Being an Author? appeared first on WRITERS HELPING WRITERS®.

The start of a new year is a great time to put plans in place to ensure a terrific writing year.

So to help you get your writing in this next year, here are five essential things to consider …

1) Establish a Writing Routine 

To hit your goals, it will be crucial for you to establish a consistent writing routine that suits your lifestyle. Set aside dedicated time each day or week for writing and treat it as a priority. Whether it’s early mornings, late nights, or specific blocks of time during the day, having a routine will help maintain focus and make progress.

Note how I say you DON’T have to write every single day! I don’t — YES REALLY. Consistency is important, but that doesn’t have to mean writing every single day if that doesn’t work for you.

2) Set Clear Goals 

Setting clear and achievable goals is a vital step towards completing writing projects. Break down larger goals into smaller, manageable tasks or milestones. This will allow writers to track progress, stay motivated, and celebrate successes along the way.

‘Bitesize chunks’ has always been my mantra … but just as importantly, we need to EVALUATE our progress and let go of goals or things that no longer serve us too!

3. Embrace Technology (Or At Least Understand How It Really Works)

In the constantly evolving world of technology, writers need to embrace tools and software that can streamline their work process. By leveraging the right technology, writers can save time and focus more on their writing.

From writing and editing software to online research tools and productivity apps, there are numerous resources available to enhance efficiency and creativity. B2W likes to use Grammarly, Coschedule and Hemingway.

If you’d like a story support tool as you plan, write, and revise, try One Stop for Writers.

A.I is also a hot topic, representing both a threat AND an opportunity for creatives. It’s a good idea to understand how AI works and what constitutes unethical use because AI is not going anywhere. By understanding what AI is and isn’t, we can protect our interests.

4. Find a Supportive Writing Community

Joining a writing community, whether online or in-person, can be immensely helpful. Connecting with fellow writers provides opportunities for feedback, collaboration, and support.

Online platforms, forums, workshops, and writing groups can offer valuable insights, motivation, and networking opportunities, helping writers stay inspired and committed. 

5. Practice Self-Care 

Taking care of oneself is essential for writers to maintain both physical and mental well-being this next year. Prioritise self-care activities like exercise, meditation, spending time with loved ones, pursuing hobbies, and getting ample rest.

Balancing work and personal life is crucial for avoiding burnout, staying motivated, and nurturing creativity. If your brain is fried, your ability to write WILL be affected … so do whatever it takes to make sure yours is rested wherever possible. Writing can wait, it’s not going anywhere!

LUCY V. HAY - Resident Writing Coach

Lucy V. Hay is a script editor, author and blogger who helps writers. She’s been the script editor and advisor on numerous UK features and shorts & has also been a script reader for 20 years, providing coverage for indie prodcos, investors, screen agencies, producers, directors and individual writers. She’s also an author, publishing as both LV Hay and Lizzie Fry.  Lizzie’s latest, a serial killer thriller titled The Good Mother is out now with Joffe Books, with her sixth thriller out in 2024. Lucy’s site at www.bang2write.com has appeared in Top 100 round-ups for Writer’s Digest & The Write Life, as well as a UK Blog Awards Finalist and Feedspot’s #1 Screenwriting blog in the UK (ninth in the world.). She is also the author of the bestselling non-fiction book, Writing & Selling Thriller Screenplays: From TV Pilot To Feature Film (Creative Essentials), which she updated for the streaming age for its tenth anniversary in 2023.

The post Five Top Tips To Smash Your Writing Goals appeared first on WRITERS HELPING WRITERS®.

Writing is a unique profession because people find their way to it from so many different careers. Sure, there are those who complete an English degree in school before penning their first book, but there are many more who cut their teeth in other careers before answering the call to write – some as a hobby, and many others who hope to make writing books their full-time gig. Writing on the surface seems like such an approachable art form. Heck, if you can read, you can write, right? 

But there is much more to writing a book than good grammar and spelling. Even if you bring strong writing skills with you from another career, tackling writing a full book can be daunting. Fears creep in. Writers I work with always have the same question. 

“Is my writing good enough?”  

Over the years, and working with thousands of writers, I’ve realized the real question writers want to know is: 

“Will readers get my story?”

Note: Even if you, the writer, tell the world you’re writing this book for yourself, and you convince yourself that you don’t care if anyone ever reads it, or appreciates it – most writers I meet have these secret wishes

1. That their work will be found, read, loved, and shared. 
2. That their book will take on a life of its own and catch on like wildfire. 

Many writers are tempted to skip the steps needed to get their books to the level of readiness needed to reach these goals, because when you read your own writing, it reads like your awesome idea playing out in your own mind. To understand how that clouds a writer’s judgment, let’s compare becoming a competent writer to mastering other art forms.       

What if you decided to become a painter?

If you decided to share your message with a painting, instead of in a book, could you sit down and replicate the Mona Lisa without ever having picked up a paintbrush? I know I couldn’t. The Mona Lisa attempt I could make on my first try would look more like a stick figure or a semi-smiling emoji with a bad haircut. I’ve never trained as an artist, so I wouldn’t expect my first try to be expert level. 

What if you were asked to dance?

Or, let’s say you get invited to dance as the Sugar Plum Fairy in The Nutcracker on stage tonight. Could you do that dance justice, even if you’ve trained as a dancer but were only shown the choreography this afternoon? I took ballet for years as a kid (though never got to the Sugar Plum Fairy level) and you wouldn’t catch me up on that stage, because I’d trip, I’d fall, and probably forget the steps more than once. If you’d paid to watch my performance, you’d probably throw tomatoes at the stage.

It’s obvious that you can’t become a proficient painter or dancer overnight, without any training or practice. The same is true of writing, but with one difference that makes it easy to think you can. Reading back your own writing relies on imagination. And because you love your book’s idea, and know what you hope your reader will feel, your brain fills in all this extra information as you read, even when it’s not actually on the page. So you experience the Mona Lisa you set out to write, even though what’s on your page may only be stick figures.

If your book gets published at this stage, readers may give your rendition of the dance of the Sugar Plum Fairy a lousy one star review, instead of rating it the 5 star performance you experience in your mind when you read your own work.

Don’t be discouraged, though.  I can guarantee your idea is good enough to get a 5 star review from your ideal reader. It’s kept you going, you finished your draft. And readers will love it too, if you take the time to learn the skills needed to let them see the Mona Lisa you dreamed up.

How can you get some distance from your own writing, so that you can find the stick figures and turn them into masterpieces?

 Get External Feedback

Skip friends and family for this step. They love you and have heard all about your writing dreams. They are proud of all the work you’ve put in and will read your work with rose colored glasses, giving you rave reviews. They might even see the Mona Lisa. Instead:

• Work with a Critique Partner. These wonderful writers will give you the feedback you need on your book, usually in exchange for feedback on their writing.
• Hire an Editor or Book Coach that specializes in the kind of book you’re writing. Investing in a professional’s time to help you level up your writing is an important step to make sure your book doesn’t fall flat.
• Get feedback from Beta Readers. Ask readers who love books like yours for their reactions. Their feedback might just be the key you need to take your book to 5 star status.

Set aside time and energy to learn the writing skills that will make your book sing .

Don’t buy into the myth that writers are born with talent, or not. If your first draft isn’t ready to publish? That’s normal. Expected, even. Know that in writing, just like other forms of art, or when learning a new profession, there are skills to learn, and you are capable of learning them.

If you’re reading this on the Writers Helping Writers’ blog, you’ve come to the right place to learn and practice the skills you need to make your book worthy of a standing ovation.

Not sure if your writing is at the stick figure or Mona Lisa stage?

I’ve developed this fun quiz, which will show you whether your writing is ready for readers, and give you some next steps to tackle if it’s not.

The world needs YOUR story. Making sure you’ve given yourself the skills to write it in a way that readers will read, love, and share it with others will be worth the effort, so dig in and learn from as many community members as you can while you’re here. 

Happy Writing!

SUZY VADORI - Resident Writing Coach

Suzy Vadori is the award-winning author of The Fountain Series. She is a certified Book Coach with Author Accelerator and the Founder of Wicked Good Fiction Bootcamp. Suzy breaks down important writing concepts into practical steps to make it easy for writers coming from outside the industry to get up to speed in a snap, so that they can realize their big, wild writing dreams!

In addition to her weekly newsletter encouraging writers, and online courses, Suzy offers both developmental editing and 1:1 Book Coaching. Find out more about our RWC team here and discover how to connect with Suzy and all the resources she has to offer here.

The post Is Your Writing Ready for Readers? appeared first on WRITERS HELPING WRITERS®.

The iconic NaNoWriMo (National Novel Writing Month) challenge has many of you rolling up your sleeves to pound out a novel. Becca and I love this event because it is a great time to become explore deep level ideas, experiment, and show ourselves we are absolutely capable of putting a novel-length story on the page.

NaNoWriMo is something you should make your own. Want to try a new genre? Go for it. Are you a plotter who would like to try pantsing (or the opposite)? Go for it! Maybe you want to channel an alter ego author voice, have an out-of-the box story premise you want to write, or you just need to get that next book done. Whatever it is, NaNo is a great time to blast out words and have fun doing it.

Writing a novel in a month also means telling your inner editor to take a holiday. He or she can go bug Elon Musk for a month – lots to criticize on the X front, after all. November is for you and your creativity alone, a pressure-free time to not worry about getting every word right as you draft.

We want this to be a terrific experience for everyone, so we’ve put together tips to help you smash out the words during NaNoWriMo:

1) Set yourself up for success before you write.

This is such an important step no matter what time of year it is, we’ve written an entire post about this! But there’s added pressure when it comes to NaNoWriMo because you’re attempting a draft a novel in a single month. If you haven’t yet done so, set up your space so you have what you need, talk to family members on how to respect your writing time, and click the link above to put yourself in a great place to draft.

2) Find an accountability partner.

NaNoWriMo is easier (and more fun) with friends, so find other writers who will be taking the challenge. Stay in touch so you can cheer each other on, have someone to turn to when you need help, and even meet up for writing sprints (in the real world, through Zoom, or over social media). NaNoWriMo makes this super easy–you can set up a group, join a group, find locals in your area who are doing the challenge, etc. If you belong to a writer’s organization, see who is taking the challenge and set up a group for you. If you participate on a writing forum, Facebook group, or something else, see who is doing NaNo and suggest you all exchange info to stay connected. Stay in touch, share your progress, support each other so everyone finishes November on a high note!

3) Know enough about your story to feel comfortable writing it.

This may look different for everyone, depending on your planning preferences, but planning a bit is essential. Whatever makes you comfortable, do. If you like to full-out outline and do character profiles, do! If you only need a few ideas to run with, great. But know what you need to be comfortable to start and keep writing. It can also be helpful to know your first scene well, so you have a strong first writing session. Highly recommended: the Storyteller’s Roadmap, and downloading the Story Planning Checklist. (Then, after planning, move on to the Writing Track of the Roadmap. You’ll find the Code Red section invaluable.)

4) End each session with an incomplete sentence.

This one sounds strange, but starting a new line with that damned blinking cursor can be paralyzing for some. If you know what the sentence is in full, but you leave it half-finished when you stop for the day, you immediately have something to write the next time you sit down, and muscle memory takes over. It can also be good to think on the next scene you want to write in between sessions so you have an easier time picking up again.

5) Keep sources of inspiration on speed dial.

There may be times you hit a lull and need ideas. (Totally okay, this happens.) Taking a bit of a break instead of trying to force words might help, so know what tends to make you feel creative and excited to write. Would you like to doodle a bit as you listen to music? Re-watch an old favorite Netflix movie that always leaves you with a rush to create? Bake something, or go for a walk? Maybe for you, inspiration hits in the shower. Whatever activity will help you work through story problems and recharge your creativity, give that a try.

6) If you don’t know what to write next, skip ahead.

Sometimes we hit a wall and feel pressure because the next scene is a big blank. We don’t know how the protagonist is going to get the magic dagger from their enemy, or what circumstances will ensure our romantic couple end up at the same ski resort. Guess what? It’s okay. Just think ahead to when that story problem is solved: the protagonist has the dagger. The couple run into each other at a ski lesson. Whatever “next scene” you can see clearly in your mind, start writing that scene.

Leave a note before you start reminding yourself what is missing <Jeff has to trick Lida into giving up the knife> or <Brand and Deena somehow both end up at the same ski resort>. Your brain will work on the skipped portion of the story in the background, and let you know how a leads to b. When it happens, you can go back and fill in the blanks.

7) Don’t be afraid to go off script.

A challenge like NaNoWriMo is meant to free your imagination, so even if you tend to plot and write to an outline, if your characters are taking things in a different direction, or your gut is telling you to deviate from the plan, you might want to give the story room to change. Add a mark you can find again using search like <<>> to note where you are deviating from the plan. Let the story unfold, and see where it goes. There is no wasted effort here, and you may find the new direction has you excited to write forward. Or you might decide the tangent isn’t for you. No worries! Add another <<>> and restart the story from where you deviated. The words still count toward the total and you can delete them later in revisions.

8) Don’t let doubt creep in.

It’s not easy to turn off the part of our mind that worries about quality, and sometimes our Internal Editor shows up despite our efforts to banish him. If he starts tsking over what you’re writing, do not listen. Every first draft is clay we must begin to shape if it is to evolve into the beautiful story we know it can become.

So, if the Internal Editor shows up, banish him to a room where this guy is waiting:

Imagine the resulting screams, smile, and keep writing.

9) Reward yourself.

Writing so many words while managing everything else in your life isn’t easy, and will require sacrifice. So make sure to reward yourself along the way, not just at the end of the challenge. Think about small things you love that you can promise yourself at certain points. You could set milestones to your word count, but maybe for you, writing 5 days in a row is a victory, or sticking to an internal promise of starting and finishing that rough chapter is the goal. Reward yourself in ways that motivate you to keep going.

10) Remember, you can’t really “fail” NaNoWriMo.

Even if you don’t hit 50K, or you decide to quit at a certain point because something comes up or you aren’t feeling the story, you had the courage to start, and to try! That’s a win, as is every word you did write!

No effort is ever a waste. Taking on this challenge is also a way to learn more about yourself and what does and doesn’t work for you. These are all lessons that will help you moving forward.

Becca and I are cheering you on! If you need any help at all, check out these three links

The Ultimate Prep Guide for NaNoWriMo (Plotters & Pantsers)
The Novelist’s Triage Center (Get Unstuck & Finish Your Book)
The Writer’s Secret Weapon Page

Go forth and be awesome–you’ve got this!

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post NaNoWriMo: Top Tips for Smashing Out 50K appeared first on WRITERS HELPING WRITERS®.

When I wrote book 2 in my The Fountain Series, The West Woods, I posted on social media to get Beta Readers, and had 61 people offer. *Facepalm*. I didn’t want to sift through 61 opinions on my book, but I did need a gut check from fans of the series.

• Would they like it as much as Book 1?
• Would they accept that Book 2 is a prequel?
• Would they forgive my main character, Courtney, for the things she did in Book 1?

These were the worries I had. So, from the 61, I invited a dozen, including teens and adults who read Young Adult. (Fun fact if you write for Young Adults – Adults are the ones who buy the books, and also the ones who review them, because kids don’t have Amazon accounts, so you need to make sure your book satisfies them too!)

Now, if you are lucky enough to find Beta Readers, treat them like gold. They are not your proofreaders. They are not editors. And unless they are also writers, they may not have the skills to suggest how you can improve your book. The skill you need from them is being readers, and letting them react to the story you’ve written.

Many of my Beta Readers have never given a writer feedback before, so I make it as clear as possible what I need them to do. That way, they don’t have to stress that they’re “not doing it right”, or that they’ll somehow let me down if they don’t love everything about the book. Bring on the feedback, because once it’s out in the world, you can’t take it back.

Writers often ask me when to involve Beta Readers. I like to get this feedback before I send it to my editor, so that I’ve got a good idea of how others will receive it. If I’m on a short timeline, I also sometimes send it to my editor and Beta Readers at the same time and then incorporate all the changes that come out of their reviews in the same revision pass. 

The first thing I do is give my Beta Readers a clear timeline. I like to ask them to read my book in 2 weeks. Here’s a quick tip: If you send your book to Beta Readers, and they don’t finish it? That might be feedback in itself. I hope that once readers start it, they rip through it cover to cover, just to find out what happens.

And to let them enjoy it and not stress, I make it clear that I don’t expect them to edit along the way. Instead, I give them a list of questions to answer when they’re done reading, including what characters they liked the most, and who they liked the least, which scene was their favorite, which was their least favorite, etc. Want the exact questions I asked Beta Readers for The West Woods? You can grab them here, I’m happy to share. 

I sent PDF copies of the book to the adult readers, and I printed, bound, and mailed out hard copies of the manuscript for the teen readers (I’ve found they’re more likely to be able to read it on the go, or evenings if they don’t have to use a device). And 2 weeks later, the feedback rolled in.

I sat down to go through the feedback and look for trends, taking a deep breath. After the third set of answers, I started to relax. The book was in good shape. I wouldn’t have to gut it. A few minor tweaks and it would be off to the publisher.

I went through the adult feedback first. They enjoyed the book. They connected with the main character and her story. And every one of them said that the climax scene – involving a dramatic break up – was their favorite. No surprise there, it had everything. I’d spent a long time perfecting that moment. Readers said it was heart wrenching and raw. Exactly what I was going for.

Next, I moved on to the teens’ feedback. I read the first set of answers, and then the second… and my shoulders crept up around my neck. The teens said the break up was their least favorite scene.

• “It made me so sad I had to put the book down for a few days”
• “I cried for her, and it just wasn’t as uplifting as Book 1”

I stared at their answers, stunned. I’d been so focused on ripping my readers’ hearts out, I hadn’t stopped to consider what readers loved about Book 1. Why teens were reading the series in the first place.

After a few days mulling over how to completely rework the climax of the book, I highlighted the 5 chapters that needed to change, and hit delete. (Okay, okay, of course, I didn’t really hit delete, but I moved them into another document and never looked at them again). Spoiler alert: There is no longer a break up scene in that book, and it went on to be shortlisted as a finalist for the Aurora Awards for Best Young Adult Fiction in Canada.

I am so grateful for the teens who were brave enough to tell me what the least favorite part of their book was. And I’m grateful I asked.

Are you looking for Beta Readers for your book? Check out this terrific article.

Have more questions on how to use Beta Readers effectively? Drop a comment below!

SUZY VADORI - Resident Writing Coach

Suzy Vadori is the award-winning author of The Fountain Series. She is a certified Book Coach with Author Accelerator and the Founder of Wicked Good Fiction Bootcamp. Suzy breaks down important writing concepts into practical steps to make it easy for writers coming from outside the industry to get up to speed in a snap, so that they can realize their big, wild writing dreams!

In addition to her weekly newsletter encouraging writers, and online courses, Suzy offers both developmental editing and 1:1 Book Coaching. Find out more about our RWC team here and discover how to connect with Suzy and all the resources she has to offer here.

The post How Beta Readers Might Save Your Book from Disaster appeared first on WRITERS HELPING WRITERS®.

As you may know, Angela and I have recently reached the unbelievable milestone of having sold a million books.

I say “unbelievable” because this was never in our sights. We started out as two writers with no formal education in the field. We had no publishing experience. What did a couple of stay-at-home moms really know about succeeding as authors?

Needless to say, when we sold our thousandth book in 2012, we were over-the-moon excited. And then we hit the 10,000 mark. Then 100k… With every milestone, people asked us how we had done it—because I think a lot of writers can relate to our feelings of uncertainty, of having a goal but not knowing how to get there, and not wanting to dream too big.

But here’s the truth: if we can succeed, you can succeed. Full stop.

Granted, it would have been easier with a little more information when we started. So we’d like to share some of the things that have worked for us, because we believe they can work for you—no matter what you’re writing or what goals you’ve set for yourself.

Give the Readers What They Want

Some of you may not know that the very first thing we blogged about in 2007 was The Emotion Thesaurus. As critique partners, we had both struggled with how to show emotions in new and realistic ways, and we knew it was also a problem for the other members of our group. So we thought: maybe this is something other writers need help with, too.

That suspicion was confirmed almost immediately. We started putting up a new emotion post each Saturday, and our readership just blew up. Before long, people were asking for the content in book form. And that’s when we knew we had something people wanted to read.

Takeaway: Whether you’re writing nonfiction, cozy mysteries, thrillers, steamy romances, or a memoir, you have stories that people want to read. Write what excites you. Hone your craft so you can write those stories well. And start building connections with the people who want to read what you’re writing.

Take Risks

Angela and I had always dreamed of being traditionally published, so when it came time to turn The Emotion Thesaurus into a book, we assumed we’d go that route. Then we started seeing our thesaurus content popping up on other people’s sites, and being distributed as a PDF. Suddenly, we couldn’t afford to wait two years or more for our book to be available; we had to get it out quickly before someone else did, and that meant publishing it ourselves.

But this was 2011. Self-publishing was openly poo-poohed in the industry, with many people bemoaning the substandard quality of self-pubbed books (and some asserting that authors only went this route if they couldn’t get a traditional contract). Oh, and we had zero idea how to publish a book. Going down this path was a huge risk for us, but Ange and I knew we needed to do it, so we got to work figuring out file formats, and distributors, and cover designers, and the logistics of co-authoring a book. And we made it work, and in 2012, we launched The Emotion Thesaurus.

Takeaway: Don’t be afraid to take risks with your writing. Try new things. Dive into uncharted waters and educate yourself. Sometimes, the scariest opportunities have the biggest payoffs, but you won’t reap the rewards if you don’t try.

Put Your Own Spin on Your Work

Another thing that made us nervous was the unconventional format of our books. Instead of the typical narrative structure, our thesauruses consisted mostly of two-page entries full of lists and phrases. It was a risk to deviate from the norm, but we went for it because our blog readers liked it.

Not only did readers love the “user-friendly” structure, other writing books with lists soon began popping up all over Amazon.

Unfortunately, it’s also led to copycat covers and many books that have similar titles to those in our series. We feel bad every time someone tells us they bought a book they thought was one of ours only to discover it wasn’t. So if you are trying to find our thesaurus guides, just look for the Writers Helping Writers® logo.

Takeaway: Always put your own spin on your writing. Infuse it with your unique voice. Explore the themes that interest you and the subjects you’re passionate about. Write as your authentic, one-of-a-kind self and you’ll end up creating books that will stand apart from the others in your genre.

Make Your Books Available to as Many Readers as Possible

Because readers have their own preferred storefronts and formats, we wanted to reach as many of them as possible by going wide and making our books available in lots of places. We also offered PDF versions, since people like having their book files open on their computer while working. We even created a Character Traits Boxed Set to sell directly from our website.

The bulk of our sales do come from Amazon, but by distributing through many digital storefronts and independent bookstores, and making our books available in PDF, we ensured that readers could get our books where they liked to show and in the format that worked best for them.

Takeaway: Make it easy for people to buy your books. Sell through multiple distributors, in different formats. Listen to what your followers are saying about how they like to read and make those options available to them.

Explore Every Opportunity

As you grow, opportunities are going to come along that you never considered. Ange and I had published three books and were working on the fourth when we got an email from a publisher asking if the Korean rights to The Emotion Thesaurus were available. Foreign translations weren’t on our radar at all. We didn’t have an agent, couldn’t negotiate an international contract ourselves, and couldn’t market a book overseas if we wanted to. So it would’ve been easy for us to dismiss the request as being too far outside our wheelhouse and something we just didn’t have time for.

Instead, we looked into it. We found an agent who specialized in negotiating rights deals with foreign publishers. We talked to her about the email we’d received, and we realized this was a gift that had fallen into our laps. So we sold those rights. And, boy, was that the right decision. We now have books in 9 languages that have sold almost 400,000 copies to date in markets we never would have reached on our own.

Takeaway: No matter how busy you are, explore every opportunity that comes your way. You don’t have to invest a ton of time. Just do some basic research, keep an open mind, and see if it’s something you should pursue. When in doubt, see Point #2.

Run Experiments

It can be hard to know if an opportunity is a good one or not. In those cases, it doesn’t hurt to experiment.

In 2018, KDP started contacting us with requests to highlight our Kindle books in their daily and monthly deals. We were skeptical about how this would affect our sales. Sure, more people might buy our Kindle book if it was priced at $1.99. But wouldn’t we end up making less money that way? Would those discounted sales cannibalize our paperback sales?

So we ran an experiment and started participating in those deals. It became clear that while we made less per book, our revenue still increased. Why? Because it lowered the barrier to test out one of our thesauruses, and if the person found it helpful, they would often collect more volumes in the series. Also, because we have observed our readers prefer print to digital, some kindle deal buyers would go on to pick up a print copy also. So this experiment has really paid off for us.

Takeaway: New opportunities don’t have to be permanent. If you’re not sure about something, set aside a prescribed period of time to test it out. Setting a timeline and recognizing that the experiment is temporary can ease your mind about trying new things.

Know When to Cut Bait

But remember that not every experiment is a success. Prior to 2019, we hadn’t utilized ads on any platforms. Sales were flagging a bit at Amazon and a lot of people were finding success with ads there, so we decided to give it a shot. After eight months, we realized that the investment just wasn’t paying off, and we stopped.

Takeaway: Accept that some experiments won’t pan out. Keep a close eye on those trial runs and the risks you’ve decided to take. And do the same with your day-to-day tasks—you know, the processes and systems you’re using because that’s the way you’ve always done them. Be deliberate about monitoring what you’re doing and assessing if it’s worth the ROI. If it’s not working, stop doing it or find a new way.

Seek Out Multiple Revenue Streams

Let’s face it: it’s hard to make a living from book sales. But Ange and I learned early on that our skills as writers lent themselves to other ways of bringing in money. So we branched out as speakers, running workshops for local writing groups and at larger conferences. Then we explored another collaboration that resulted in One Stop for Writers, a subscription-based website that contains all our thesauruses (not just our books) and writing tools and resources designed by us that help writers in a new way.

Workshops and One Stop for Writers have provided additional revenue for us in and of themselves, but they also generated more sales by introducing us to new people who had never heard of our books.

Takeaway: What additional career opportunities could you pursue that utilize your writing skills? What else could you be doing “on the side” while you’re writing books? Here are some options you may not have considered.

Partner with the Right People

If there’s any one secret to Angela’s and my success, it’s that we found each other. It’s really, really hard to do this job alone. I can’t imagine having to handle everything by myself. At some point, most writers will need to partner with other people, be that a business partner, editor, agent, cover designer, copy editor, bookkeeper, etc. Those partnerships can save you—as long as you choose wisely.

Takeaway: Research potential partnerships carefully. Look for people who complement you, people who are strong where you’re weak. Find people who share your values and work ethic and are pulling in the same direction.

There’s more we could share, but this post is long enough already, and we’d rather hear what has worked for you. Let us know in the comments!

More quick facts about the books
Enter our celebratory giveaway

BECCA PUGLISI

Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers—a powerhouse online library created to help writers elevate their storytelling.

The post Selling a Million Books: What Worked for Us (and Can Work for You, Too) appeared first on WRITERS HELPING WRITERS®.

Two novice writers met in an online critique group called the Critique Circle and became fast friends. Angela (a Canadian) wrote about zombies and pirates and a magical bookstore that kidnapped customers. Becca (an American) wrote everything from a coming of age YA during California’s Gold Rush to a dark tale of a doughy gingerbread boy being baked alive (and here you thought Angela was the weird one).

The two also shared something else: a passion for learning and helping others. So they turned to studying the craft of writing and how they could help others work through common writing struggles.

One of the bigger hurdles writers faced was showing and not telling character emotion, so the two collaborated on a list of ways to show fear. This brainstorming list was well-received, and led to the next, and the next. Then in January 2008, they decided to start a blog so they could share these lists more widely. At The Bookshelf Muse, this collection of lists was given an official name: the “Emotion Thesaurus.”

This thesaurus became the first of many on different aspects of description, and finally, on May 9, 2012, they self-published their first writing guide: The Emotion Thesaurus: A Writer’s Guide to Character Expression.

Truth be told, it was terrifying. The industry wasn’t so keen on self-publishing back then, and some experts were vocal about how they believed writers were throwing their careers away if they self-published. To know about this bias and then put a book on the same industry-dominated shelf anyway took a lot of inner convincing, especially as this was their first publication, meaning they had no bestselling-this or editor-that to give them credibility.

But they did have something special. You.

Right from that first list, first blog, and first book, YOU were in their corner. You supported, cheered, and encouraged. You helped spread the word, told other writers about the helpful nature of this book, and then did the same for all the ones that followed.

Thank you for being in our corner!

Becca and I are stunned that a million of our books are in the world. Never could we have dreamt of being able to help so many writers, but we’ve been able to because of all of you. Your kindness, generosity, and support is unmatched. We are so grateful–thank you so, so much!

(Find Out More: Press Release & Quick Facts)

Giveaway Alert

A milestone like this calls for a special giveaway, so we reached out to our Resident Writing Coaches for help.

And boy, did they ever deliver!

Look at this incredible load of writerly things you can win…

The Prizes

A Story Audit from RWC & Editor, Lisa Poisso

This small but powerful diagnostic examines your one-page synopsis, a comprehensive assessment of the story’s narrative elements (story structure, plot, character arcs, conflict, and more), and an overview of the writing in your full manuscript. It will help you determine if your book is ready for editing, saving you time, energy, and money by diagnosing any big-picture issues before you pay someone for editing. A winner can redeem this Story Audit anytime after July 2023. (Psst. Lisa is great to work with!)

First 5000 Critique from RWC & Editor Michelle Barker

Your query letter and synopsis are important parts of the submission package, but your writing sample is the true test. In fact, many agents read the sample first. This service includes a developmental edit of your first 5000 words & complimentary access to Query Quest. Find out more.

Online Confidential Platform & Networking On Demand Course from RWC, Script Editor & Author, Lucy V. Hay

Marketing and platform building can be a challenge, but this step-by-step guide will help you utilize the online space to your best advantage as a writer or screenwriter. If you feel you aren’t getting traction online now, or you just don’t know where to start, this course will help you! Find out more.

A Wicked Good Bootcamp Seat from RWC, Editor, & Author Suzy Vadori
The 8-week virtual book coaching experience will teach you to write a book that readers will love. Get clear on the story you’re dying to tell (and WHY you want to tell it), so you can turn it into a book readers actually want to read without compromising your creative vision. Skip the writers’ learning curve and get over a decade’s worth of Suzy’s insider writing industry tips in just 8 weeks to make your writing as strong as possible. Come away with a detailed action plan to get your ideal book written and into the world this year.

A Crime Scene or Climax Critique, (Winner’s Choice) from RWC & Thriller Author Sue Coletta

Attention, mystery, thriller & crime writers! This unique prize has been designed just for you from an expert in crime scenes, serial killers, tension, and suspense! (Did I mention she has her own Murder Blog?) Sue will assess your scene and offer feedback to help you ramp up the intensity. Note: the winner will need to provide a short synopsis of the story so Sue has context for the scene.

A $150 credit toward a Cruising Writers Writing Retreat with RWC & Author Christina Delay

Have you ever dreamed of joining a bunch of writers on a writing retreat in some beautiful location? Then imagine a situation where you get to visit several stunning locations, be pampered as you relax, and have a chance to learn and network with industry pros! Cruising Writers is a fantastic option for retreaters – rest, relax, and fill your creative well aboard a stunning cruise ship. The winner will get a hefty $150 discount on your package when you book! (Stating the obvious, but you must be a writer to win.)

A 20-Page Critique of Your Middle Grade or YA Novel by RWC & Editor, Marissa Graff

Wouldn’t it be great to have help with the opening of your story, especially from someone who was a freelance editor and reader for former literary agent Sarah Davies (ranked #2 in middle-grade fiction sales) for over seven years? Someone who has had clients go on to nab agents, sell their books, and even win the Newbery Award? Heck yes it would! Marissa Graff will help you bring out the best elements of your MG or YA opening by critiquing your first 20 pages.

A Full Picture Book Critique from Our WHW Blog Wizard & “PB Fairy Godmother” Mindy Alyse Weiss

Mindy is the mastermind behind PBParty, an annual contest that connects talented picture book writers and author/illustrators with agents and editors. This has led to many success stories. Mindy has a ton of experience in what agents and editors are looking for in a picture book. The winner of this prize can send up to three PB manuscripts. Mindy will give light comments on two and in-depth feedback on the PB with the most potential.

A 1-Year Subscription to One Stop for Writers from your biggest fans… Becca and me!

We have created many thesauruses over the years, but not all of them become books…some go straight to a THESAURUS Database at One Stop for Writers. This web app is how we help writers beyond our books and where we’ve built powerful tools that make it much easier to plan, write, and revise your way to a publish-ready book. Take the tour, start a free trial, and make sure to enter below for a chance to win a 1-year membership! We’d love to help you bring your best story to the page.

To Enter:

Want a chance to win one of these amazing prizes? Click the link below.

WHW’s 1 Million Book Milestone Giveaway

(Final day to enter is May 9th, 2023, EST).
Winners are being notified! Watch your inbox!

Note, one entry per person. Prizes have no cash value and cannot be transferred. For full legal rules and conditions, please go here.)

Thank you again for all your kind support. We are honored to be part of your storytelling journey!

If you’d like to help us celebrate this milestone, feel free to share this post. And good luck in the draw!

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post We’ve Reached the One Million Books Milestone! appeared first on WRITERS HELPING WRITERS®.

It’s that time of year when we’re thinking about upcoming holidays and the people in our lives who love writing as much as we do. Critique partners, accountability chums, fellow scribblers in the trenches…this is a great time to give them a little something to show them how special they are to us, and to show support of their author goals.

This year we wanted to share a few of our favorite things because we think they’ll make great gifts. (A few are affiliate links, but we only suggest things we like and think you will too.) Enjoy!

Motivational Stickers

Imagine opening your laptop and seeing an inspiring quote that gets you all pumped up – that’s what these great little stickers do.

Check out the huge variety of stickers you can get from BiblioficDesigns!

A Portable Desk

Want to write on the couch, in bed, in the car or on the lounger in the backyard? Get this portable laptop desk.

I have one and use it all the time. I love being able to move around and find the best spot to inspire me as I work!

Yankee Candles

Becca loves certain things – her kids, cats, peanut butter protein shakes, and yes, Yankee Candles.

Candles are a big part of her writing routine, and she always has one burning when it’s time to work because it triggers her brain to get down to business. This is a great addition to any writer’s desk, and heck, they smell so good!

An Owl Mug

Look I’m not saying I have an owl addiction, but well, yeah, I have an owl addiction.

Owls are wise and make a great writerly mascot, so I think we both know you and every other writer need at least one mug…maybe two. And my goodness, look at this pair. I’m in love!

A Bestselling Writing Guide from Us!

By now, you likely know we’re the authors behind The Emotion Thesaurus and its many sibling guides. These books have helped writers all over the world brainstorm stronger description and master show-don’t tell, and we love creating them.

If you are new to these books, you pick your topic, and then dive in. You’ll learn how to write that subject better, be it emotions, setting, personality, conflict, etc., and brainstorming lists (the ‘thesaurus’ part) to give you endless ideas for fresh ways to describe that element in your story through show, not tell.

Not sure which book to get? Try the Emotion Thesaurus (Blue), which is the most popular volume, and helps you describe what your characters are feeling through body language, thoughts, visceral sensations, cues, & more. Or, choose the Conflict Thesaurus (Gold & Silver), which were our last two releases. You’ll love having so many possible conflict scenarios on tap to help you write fresh, intense fiction.

Literary Insults Poster

This poster was a birthday gift from my daughter-in-law, and I love it. It’s filled with great literary insults (that you can use, muahaha), so that’s fun, right?

It’s a neat collectable and conversation piece all in one, so frame this poster and then display it in your office with epic nerdy pride. I did!

A Weighted Blanket

Okay, this is a super thoughtful gift, because we all know writers keep odd hours and never get enough sleep. So, make sure your sleep is quality by wrapping yourself in a heavy, fuzzy blanket that applies just enough pressure to make all your anxiety slip away. I bought one a few years ago and have never slept better.

A Powerful Story Toolkit

There’s no better story support than One Stop for Writers. With its massive show-don’t-tell database, innovative story tools, and the Storyteller’s Roadmap, planning, writing, and revising becomes so much easier.

This is a game-changer for anyone who needs help writing stronger stories, and the subscriptions are very affordable.

We hope you enjoyed this list of our favorite writerly things! Hopefully this inspires some gift ideas. And remember, it’s okay to buy yourself a little something, too, or add these to your personal wish list!

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

The post Our Favorite Gifts for Writers appeared first on WRITERS HELPING WRITERS®.

Unless you wrote your book exclusively for your own satisfaction, once your creative vision is on the page, it’s time to zoom in on how the book works for readers. The key is getting the right kind of feedback for where you are in the revision and editing process—and dodging the kind that will pull you off track.

Much of this choice hinges on your editorial budget. You could do most or all these steps for yourself at no cost, but the quality of your book will reflect the quality of the production behind it. Most writers end up drawing on both free and paid feedback options.

Let’s make sure you’re leaning on the right options at the right time.

Writing Feedback: Stage by Stage

With a newly complete manuscript

Volunteer feedback is perfect at this stage of your book’s development. One or two alpha readers (often a spouse, critique partner, or close friend) provide that initial gut check on what’s hitting home and what’s missing the target.

During second and later drafts

As you continue working through early drafts, crowdsourced feedback continues to be your best bet. Lean on your peers in critique partners and groups, collecting enough opinions to sort out which point to genuine issues and which simply refer to personal taste.

Active drafting can be an opportunity for coaching or mentoring on story problems identified by critique buddies—a character arc that refuses to gel, saggy pacing, a general lack of zing—if your budget and time comfortably allow it. A little one-on-one help from a pro now could prevent you from filling your manuscript with pernicious errors that will inflate your editing rate down the line. (Incorrect use of dialogue tags and action beats, I’m looking at you!)

Before you’re ready for professional editing

Once you sense you’re nearing the limits of your ability to improve your book on your own, it’s time to bring in beta readers. Beta readers provide high-level, subjective, personal feedback such as “the pacing felt slow in the middle” or “I just didn’t like that character at all.”

Although paying for beta reading ensures the readers will finish the book and return feedback, it’s not necessary to hire a pro. In fact (unpopular opinion ahead), an editor is the wrong choice for beta reading. The reason is simple: Beta reading is not Editing Lite. It’s designed to generate genuine reader reaction, not analysis from a trained professional.

When you’re ready for professional editing

When you’re ready for professional editing, marching in with a request for a particular type or level of editing puts you at risk of getting precisely what you ask for—whether your manuscript needs it or not. It would be like relying on Dr. Google to diagnose a physical ailment, then convincing a local doctor to prescribe strictly the medications and treatments you’ve decided you need.

Choose your editor with care. You deserve a specialist who resonates with you and your work, not whoever offers the lowest rates and immediate availability.

Once you’ve found the perfect editorial collaborator, let them recommend what your manuscript needs. Their recommendations should be based on what will best support your story, your writing, and your publishing goals. If your editor hasn’t reviewed all those points, you can’t be sure you’ll get what you need.

Between edits

Another popular point for beta reading is in between edits. For example, betas can check whether the revisions you made after a developmental edit satisfy the needs the edit identified.

Don’t use beta readers beyond the point at which you’re willing to make big-picture changes. Once the story is settled, it’s time to move forward into editing.

Before you query

Raw talent shouldn’t mean raw material, and having your manuscript edited before you query agents and publishers helps you get your foot in the door.

“Our agency consistently see proposals that are okay, but simply not written at a level that is needed to break into the market,” writes literary agent Steve Laube. “Agents are not freelance editors so there is only so much we are willing to do to fix a project. I have said it this way, ‘If I get something that is 90% ready, I can take it the rest of the way. But if it is only 80% ready I will kick it back to the writer with a rejection. We are looking for the best of the best.’”

Agents are not there to provide you with free editing. In The Shit No One Tells You About Writing (season 2, episode 1), literary agent Cece Lyra advises writers not to expect feedback from an agent until “your writing is so, so good to the point that your agent is actually ready to sell it, then he’ll give you editorial feedback. … Your agent’s job is to sell your work. You need to have other sources of feedback too.”

Authors like Bianca Marais (The Witches of Moonshine Manor) seek out professional help before sending their manuscripts to agents. “I think as writers, we need to get into the habit of seeking out the expertise that we want, and that means paying for it,” she notes in The Shit No One Tells You About Writing (season 2, episode 1), “but it makes the agent’s job that much easier to be able to sell the work because the work is so much more polished and professional at that time.”

Before you self-publish

Self-publishing your work means assuming the responsibility for producing a professional-quality product—and that means paying for professional-caliber editing.

A developmental editor will help you master and refine the principles of story structure, genre, and storytelling technique. Your need for this level of editing may diminish as you master the craft, but you can’t afford to launch your writing career with limp storytelling.

And when it’s time for line editing and copyediting, your friend the English teacher can tell you if you have a problem with dangling participles, but they probably haven’t the foggiest about publishing industry standards for fiction style and punctuation. Get a professional copyedit.

Proofreading could be a suitable time to loop in friends and family who’ve promised to help. Vet their recommendations carefully—their knowledge of current grammar and usage or publishing industry standards will not always be on target—and be clear that you’re asking for help identifying typos and objective errors. Collate and compare volunteer findings, then get a professional editor or proofreader to review the results. You may be able to get this done as part of your editing follow-up or at an extremely low rate.

Keep Hold of the Creative Reins

Finally, follow these three guidelines for incorporating feedback into your work at any stage.

1. Don’t seek creative feedback from anyone you wouldn’t entrust with molding your book’s creative vision.

2. Take responsibility for learning your craft. “The conscious writer listens to everyone, tries everything, but follows no one; they are their own guru,” advises story development consultant Jeff Lyons. “(The conscious writer) takes responsibility for their failures as well as their successes and knows that they, not some fortune cookie, are the only ones who can solve their writing problems—and they love that responsibility.”

3. Don’t get sucked into an endless feedback loop. Gather constructive input, make your decisions and revisions, and move on to the next novel. You want a writing career filled with books, don’t you?

Onward!

LISA POISSO - Resident Writing Coach

Lisa Poisso specializes in helping new and emerging fiction writers. A veteran of the disciplined world of classical dance, she brings that same practiced artistry to writing—where structure, form, and technique are springboards that give you freedom of movement on the page. Explore her Writing & Editing Resources for valuable tools to develop your manuscript, and subscribe to the Writes of Fiction newsletter to receive Lisa’s hand-picked writing advice delivered directly to your inbox. Find out more about our RWC team here and connect with Lisa below.

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It’s a big anniversary for us, folks! Ten years ago today we hit the publish button on The Emotion Thesaurus.

10 Years. Can you believe it?

We wrote this book hoping to help others who struggled with showing character emotion, but deep down, we were terrified. It was our first book. We were nobodies…who would take us seriously? And we were self-publishing at a time when the industry wasn’t too fond of that just yet.

We had no idea it would go on to become so well-loved book. And oh my gosh, guys–thank you so much for that!

Many of you have told us the Emotion Thesaurus never leaves your desk, and it’s hard to describe how good that makes us feel. Talk about honored. It got us thinking about the many other must-have resources that help writers create, publish, and build satisfying careers. That led to a very big question:

What would the Ultimate Writer’s Toolkit look like?

So, we polled other writers, made a list of the best of the best, and then reached out to the leaders in our industry to see if they would help us build an ULTIMATE toolkit and give it away.

The Ultimate Writer’s Toolkit Giveaway

Buckle in, writers, because one of you will win…

A 1-Year Subscription to Jane Friedman’s The Hot Sheet: An award-winning newsletter that will keep you up to date on the market, industry news, author earnings, trending topics, and new opportunities. (Value: $59) 

Writer’s Digest’s Get Published in 2022 Bundle: Nine amazing resources to help you stay productive, get published, and keep a positive mindset, so you reach your creative goals. (Value: $79.99)

Joanna Penn’s Author Business Plan Course: Learn the elements of an effective business plan, questions you need to answer to discover what lies behind the plan, and how to act on decisions made to take your author career to the next level. (Value: $99)

A 1-Year Subscription to One Stop for Writers: Everything a writer needs to create fresh, breakout fiction: powerful character and plotting tools, worldbuilding surveys, worksheets, the largest show-don’t-tell database available anywhere, and a Storyteller’s Roadmap to guide you from that first idea all the way to a publish-ready book. (Value: $105)

A Scrivener Writing Software License: Provides all you need to write and brings together your notes, research, and writing…so it’s always at hand. It also lets you set word targets for your entire manuscript or for the current writing session—which can be great motivation. (Value: $49)

A 1-Year ProWritingAid License: More features than any other manuscript editing software on the market! Improve your writing quickly and efficiently with thousands of grammar, spelling and readability improvements delivered in real-time as you write. (Value: $79)

The Hero’s Two Journeys Video Access: Two of Hollywood’s top Story Experts, Michael Hauge & Chris Vogler, reveal the secrets of mastering Plot Structure, Character Arc, Identity, Essence, Archetype and Theme. (Value: $39)

A 1-Year Subscription to StoryTeller: Get ready for revision to get a lot easier! Use Fictionary’s 38 Story Elements to evaluate your story scene to scene so only your best writing makes it to the page. (Value: $200)

A 1-Year Premium Membership to The Critique Circle: Continuously improve your writing by critiquing others and building relationships with authors who will help with your manuscripts. You can receive multiple critiques and compare feedback to see what’s working and what areas need to be strengthened. (Value: $50)

A Publisher Rocket License: Publisher Rocket helps get your book in front of more Amazon shoppers with four tools to increase book sales. It makes finding keywords, sizing up the competition, and choosing profitable categories quick and easy. (Value: $97)

A 1-Year Subscription to Book Brush: The easiest way to create professional ads, social media images, and 3D book covers using author-specific stamps, templates and animations. (Value: $99)

A 1-Year Subscription to StoryOrigin: Build your mailing list, increase sales, and find reviewers for your book all in one place. Everything an author needs to super-charge their marketing! (Value: $100)

A Writers Helping Writers Thesaurus Set*: Nine bestselling writing guides to help you activate the power of show-don’t-tell to involve readers more deeply in the world, events, and emotional undercurrents of your book. *US winner: print, International winner: digital. Emotion Amplifiers is digital only

Say, are you drooling?
It’s okay, we don’t blame you!

We can’t wait to see who wins this unbelievable writing toolkit. It won’t just improve someone’s writing – it will accelerate their career!

Runner-Up Prize Alert!

Because Writer’s Digest is so generous, they are also offering a runner-up prize:

Writer’s Digest NaNoWriMo Prep Bundle: Tons of tools to get your creativity flowing, keep you motivated, and complete your first draft in 30 days. ($56.99)

Thank you to all the generous sponsors who contributed to this Ultimate Writer’s Toolkit!

A little something from Becca & Angela

Many of you have The Emotion Thesaurus, either the original (75 emotions), or the 2nd edition (130 emotions), but you may not know it’s also at One Stop for Writers where we expand it from time to time.

In fact, we recently added 5 NEW EMOTIONS: Joy, Indignation, Misery, Giddiness, and Revulsion, so if you like, start a 2-week free trial to check out these entries (and the rest of the database), or…

Give yourself a 30% discount by using the code EMOTION when you sign up to any paid plan.

(Code valid until May 18th, 2022.)

Ready to enter the Giveaway? Find it below & good luck!

All the usual giveaway legalese applies – no purchase necessary, must be 18, and the winner is subject to our giveaway policies here. Additionally, these prizes have no cash value and cannot be exchanged. Some may have a time limit for redemption or other prize-specific conditions.

ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

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