• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About
    • About WHW
    • Press Kit
    • Resident Writing Coaches
    • Contact Us
    • Podcasts & Interviews
    • Master Storytelling Newsletter
    • Guest Post Guidelines
    • Privacy Policy
    • Charities & Support
  • Bookstore
    • Bookstore
    • Foreign Editions
    • Book Reviews
    • Free Thesaurus Sampler
  • Blog
  • Software
  • Workshops
  • Resources
    • List of Resources
    • Recommended Writing Books
    • WHW Descriptive Thesaurus Collection
    • Free Tools & Worksheets
    • Free Show-Dont-Tell Pro Pack
  • WRITERS HELPING WRITERS®
WRITERS HELPING WRITERS®

WRITERS HELPING WRITERS®

Helping writers become bestselling authors

Setting Thesaurus Template: Taxi Cab

Published: August 21, 2010 by ANGELA ACKERMAN

Sight

Well worn seats, stained or dirty floor mats, gum wrappers on the floor, semi-crushed Kleenex box above the backseat licence ID of driver displayed, smudged windows, digital display of meter, signs regarding passenger conduct/legalities, cell phone, radioing…

Sounds

Music on the radio, matching the taste of the driver, discussions on a cell or radio between driver and dispatcher, squeaky springs in the seats down a bumpy road, traffic noise outside, humming, small talk, the click of a seat belt, blips on the meter, the driver hitting…

Smells

Old carpet and fabric seats, dirt, dust, the cabbie’s lunch breath, lingering odors of coffee and food eaten in the car, cologne or perfume, hair products, sweat

Tastes

Popping a sweet mint or breath freshening gum in the mouth before arriving at destination, the cabbie taking a mouthful of take out food as he drives, water, coffee

Touch

The give of bouncy seats, strapping a seat belt over lap, pulling on the door handle, pointing a building out to the cabbie, straightening clothing, smoothing wrinkles, checking self in the mirror, tousling hair, fixing make up, digging in a pocket, wallet or purse for cab…

Helpful hints:

–The words you choose can convey atmosphere and mood.

Example 1: As I settled into the spongy seat and pulled the door shut, I caught a strong whiff of Kung Pao chicken. Great–just my luck that I’d end up with a driver with a lust for Sichuan cuisine. I barked out the address and then sat back to wait, taking as few breaths as possible. A take out container sat between the seats, dripping vomit-yellow sauce. The driver popped one of those useless complementary thank you candies into his mouth like that would help. Places like his lunch stop should be forced to hand mouthwash or breath strips instead…

–Similes and metaphors create strong imagery when used sparingly.

Example 1: (Simile) The cabbie spun the wheel erratically like a DJ running turntables at an all ages club. Either he had no idea where he was going or he hoped that tossing his passengers from side to side might dislodge spare change from their pockets, padding his paycheck a little…

Think beyond what a character sees, and provide a sensory feast for readers

Logo-OneStop-For-Writers-25-smallSetting is much more than just a backdrop, which is why choosing the right one and describing it well is so important. To help with this, we have expanded and integrated this thesaurus into our online library at One Stop For Writers. Each entry has been enhanced to include possible sources of conflict, people commonly found in these locales, and setting-specific notes and tips, and the collection itself has been augmented to include a whopping 230 entries—all of which have been cross-referenced with our other thesauruses for easy searchability. So if you’re interested in seeing a free sample of this powerful Setting Thesaurus, head on over and register at One Stop.

The Setting Thesaurus DuoOn the other hand, if you prefer your references in book form, we’ve got you covered, too, because both books are now available for purchase in digital and print copies. In addition to the entries, each book contains instructional front matter to help you maximize your settings. With advice on topics like making your setting do double duty and using figurative language to bring them to life, these books offer ample information to help you maximize your settings and write them effectively.

ANGELA ACKERMAN
ANGELA ACKERMAN

Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to share on LinkedIn (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • More
  • Click to print (Opens in new window)

Related

Filed Under: Uncategorized

Reader Interactions

Comments

  1. Anonymous says

    November 6, 2011 at 1:54 pm

    Wow, this is totally awesome! It just instantly sent my mind whirring with thoughts! Thanks for this :’)

  2. alex says

    September 27, 2010 at 5:49 am

    Really useful blog.Good work keeping this updated! Custom Elevator Interiors Thanks a lot!

  3. Robyn Campbell says

    August 25, 2010 at 2:47 pm

    Angela, YOU ARE THE QUEEN! Have I told you how many times I came by here while writing SEVENTY TWO HOURS? Too many to count.

    And now that I started another novel, well, “I’m baaacck.” 🙂 Excellent!

  4. Lynda Young says

    August 24, 2010 at 7:49 pm

    Thanks for following my blog. I’ve been a follower of yours for some time now. This is a great sensory list that highlights the importance of atmosphere

  5. Julie Musil says

    August 24, 2010 at 7:02 pm

    I’ve never even been in a taxi cab, yet I feel like I’ve just ridden in one!

  6. Karen Lange says

    August 24, 2010 at 6:51 pm

    Great stuff! Thanks:)

  7. Angela Ackerman says

    August 24, 2010 at 10:33 am

    Oh and Anon, I’ll add Flower shop to my growing list. 🙂

  8. Matthew Rush says

    August 23, 2010 at 10:50 am

    Why is it that we all accept that writing about a nice clean, neat taxi would be too unbelievable? Probably because there is no such thing.

  9. Angela Ackerman says

    August 23, 2010 at 10:07 am

    Oh I’m glad this post helps! I think can sensory description can be important, because cabs in a novel tend to be transitional places where the character is thinking on the course of action. Thise spots in a novel must always be short and sweet and there needs to be ties to the action of the cab ride, or it turns into a ‘coffee break’ moment–not a good thing.

    Think about what items, scents, sounds, etc the person in the cab can experience as they ride, and how it can be a bridge to their thoughts/memories/etc. 🙂

    Stina, I’ll take your word on that, LOL!

    Wendy, I know what you mean–my kids watch that show, too! I think I’d do awful if I ever got into a cash cab–I’m terrible at trivia!

    Have a great week all, and thanks for the comments!

  10. Wendy Marcus says

    August 22, 2010 at 6:24 pm

    I’m from upstate New York, don’t spend much time in taxis. But now, everytime I think of one I hear the music and envision the lights that come on when riders enter the cash cab. (A game show which takes place in a taxi, in case you haven’t heard of it.) Dumb, I know. But I can’t help it!

  11. Jeff King says

    August 22, 2010 at 1:36 pm

    Thx a lot, it helps to see it put this way.

  12. Anonymous says

    August 21, 2010 at 10:45 pm

    Your post are great. They always help me when I need a little guidance. Could there possibly be a post for a flower shop in the future?

  13. Kay says

    August 21, 2010 at 10:29 pm

    Ha! An agent I interviewed for my blog told an interesting story about a mysterious cabbie he ended up signing for this really out-there book.

    I stopped by to let you know, just posted my most recent agent interview with literary agent Laurie McLean on my blog: http://www.kayemevans.com/blog (you can check out the cabbie story in the James Fitzgerald interview if scroll down just a little)

    Laurie McLean provided awesome info, the most substantive answers I’ve received from a literary agent. Hope you can check it out!

  14. Jan Markley says

    August 21, 2010 at 10:18 pm

    That’s a great process to go through. BTW: I wish my car was a clean as that cabbies ;-j

  15. Stina Lindenblatt says

    August 21, 2010 at 8:42 pm

    The Calgary cabs are 1000 X better than the ones in LA. *scrunches nose*

  16. C.R. Evers says

    August 21, 2010 at 6:50 pm

    your thoroughness amazes me! Another awesome entry!

  17. Sharon K. Mayhew says

    August 21, 2010 at 6:12 pm

    You are the master! I bow down to your greatness. I really mean this. These posts are something special!

Trackbacks

  1. Setting Thesaurus Entry Collection | Writers Helping Writers says:
    October 11, 2013 at 4:23 pm

    […] Taxi cab […]

Primary Sidebar


Welcome!

Writing is hard. Angela & Becca make it easier. Get ready to level up your fiction with game-changing tools, resources, and advice.

Subscribe to the Blog

Check your inbox to confirm! If gremlins tried to eat it, you might have to check your spam folder.

Find it Fast

Read by Category

Grab Our Button

Writers Helping Writers

Software that Will Change the Writing Game

One Stop for Writers

Join our Writers Helping Writers Newsletter

NO AI TRAINING: Any use of this content to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The legal copyright holder, Writers Helping Writers®, reserves all rights to license uses of this work for generative AI training and development of machine learning language models. WRITERS HELPING WRITERS® · Copyright © 2025 · WEBSITE DESIGN BY LAUGH EAT LEARN

 

Loading Comments...